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Is she not passing fair? -The Two Gentleman of Verona. Act iv. Sc. 4.
Is she not passing fair? -The Two Gentleman of Verona. Act iv. Sc. 4.
Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. read more
Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. Act i. Sc. 1.
Done to death by slanderous tongues. -Much Ado about Nothing. Act v. Sc. 3.
Done to death by slanderous tongues. -Much Ado about Nothing. Act v. Sc. 3.
A very valiant trencher-man. -Much Ado about Nothing. Act i. Sc. 1.
A very valiant trencher-man. -Much Ado about Nothing. Act i. Sc. 1.
Like one Who having into truth, by telling of it, Made such a sinner of his memory, To credit his read more
Like one Who having into truth, by telling of it, Made such a sinner of his memory, To credit his own lie. -The Tempest. Act i. Sc. 2.
To leave this keen encounter of our wits. -King Richard III. Act i. Sc. 2.
To leave this keen encounter of our wits. -King Richard III. Act i. Sc. 2.
As merry as the day is long. -Much Ado about Nothing. Act ii. Sc. 1.
As merry as the day is long. -Much Ado about Nothing. Act ii. Sc. 1.
All the world 's a stage, And all the men and women merely players. They have their exits and their read more
All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.
O, what a world of vile ill-favour'd faults Looks handsome in three hundred pounds a year! -The Merry Wives of read more
O, what a world of vile ill-favour'd faults Looks handsome in three hundred pounds a year! -The Merry Wives of Windsor. Act iii. Sc. 4.
