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Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. read more
Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. Act i. Sc. 1.
Fires the proud tops of the eastern pines. -King Richard II. Act iii. Sc. 2.
Fires the proud tops of the eastern pines. -King Richard II. Act iii. Sc. 2.
If we wish to know the force of human genius we should read
Shakespeare. If we wish to see read more
If we wish to know the force of human genius we should read
Shakespeare. If we wish to see the insignificance of human
learning we may study his commentators.
Delivers in such apt and gracious words That aged ears play truant at his tales, And younger hearings are quite read more
Delivers in such apt and gracious words That aged ears play truant at his tales, And younger hearings are quite ravished; So sweet and voluble is his discourse. -Love's Labour 's Lost. Act ii. Sc. 1.
Their lips were four red roses on a stalk. -King Richard III. Act iv. Sc. 3.
Their lips were four red roses on a stalk. -King Richard III. Act iv. Sc. 3.
O, wonderful, wonderful, and most wonderful wonderful! and yet again wonderful, and after that out of all hooping. -As You read more
O, wonderful, wonderful, and most wonderful wonderful! and yet again wonderful, and after that out of all hooping. -As You Like It. Act iii. Sc. 2.
With bag and baggage. -As You Like It. Act iii. Sc. 2.
With bag and baggage. -As You Like It. Act iii. Sc. 2.
Death, as the Psalmist saith, is certain to all; all shall die. How a good yoke of bullocks at Stamford read more
Death, as the Psalmist saith, is certain to all; all shall die. How a good yoke of bullocks at Stamford fair? -King Henry IV. Part II. Act iii. Sc. 2.
The true beginning of our end. -A Midsummer Night's Dream. Act v. Sc. 1.
The true beginning of our end. -A Midsummer Night's Dream. Act v. Sc. 1.
