All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

A needy, hollow-eyed, sharp-looking wretch, A living-dead man. -The Comedy of Errors. Act v. Sc. 1.

A needy, hollow-eyed, sharp-looking wretch, A living-dead man. -The Comedy of Errors. Act v. Sc. 1.

The fool doth think he is wise, but the wise man knows himself to be a fool. -As You Like read more

The fool doth think he is wise, but the wise man knows himself to be a fool. -As You Like It. Act v. Sc. 1.

All impediments in fancy's course Are motives of more fancy. -All 's Well that Ends Well. Act v. Sc. 3.

All impediments in fancy's course Are motives of more fancy. -All 's Well that Ends Well. Act v. Sc. 3.

But love is blind, and lovers cannot see The pretty follies that themselves commit. -The Merchant of Venice. Act ii. read more

But love is blind, and lovers cannot see The pretty follies that themselves commit. -The Merchant of Venice. Act ii. Sc. 6.

O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon! daffodils, That come before the swallow read more

O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon! daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phœbus in his strength,—a malady Most incident to maids; bold oxlips and The crown imperial; lilies of all kinds, The flower-de-luce being one. -The Winter's Tale. Act iv. Sc. 4.

With all appliances and means to boot. -King Henry IV. Part II. Act iii. Sc. 1.

With all appliances and means to boot. -King Henry IV. Part II. Act iii. Sc. 1.

We cannot hold mortality's strong hand. -King John. Act iv. Sc. 2.

We cannot hold mortality's strong hand. -King John. Act iv. Sc. 2.

Thou didst swear to me upon a parcel-gilt goblet, sitting in my Dolphin-chamber, at the round table, by a sea-coal read more

Thou didst swear to me upon a parcel-gilt goblet, sitting in my Dolphin-chamber, at the round table, by a sea-coal fire, upon Wednesday in Wheeson week. -King Henry IV. Part II. Act ii. Sc. 1.