A child of our grandmother Eve, a female; or, for thy more sweet understanding, a woman. -Love's Labour 's Lost. read more

A child of our grandmother Eve, a female; or, for thy more sweet understanding, a woman. -Love's Labour 's Lost. Act i. Sc. 1.

Thou slave, thou wretch, thou coward! Thou little valiant, great in villany! Thou ever strong upon the stronger side! Thou read more

Thou slave, thou wretch, thou coward! Thou little valiant, great in villany! Thou ever strong upon the stronger side! Thou Fortune's champion that dost never fight But when her humorous ladyship is by To teach thee safety. -King John. Act iii. Sc. 1.

Out of this nettle, danger, we pluck this flower, safety. -King Henry IV. Part I. Act ii. Sc. 3.

Out of this nettle, danger, we pluck this flower, safety. -King Henry IV. Part I. Act ii. Sc. 3.

A man of my kidney. -The Merry Wives of Windsor. Act iii. Sc. 5.

A man of my kidney. -The Merry Wives of Windsor. Act iii. Sc. 5.

The most peaceable way for you if you do take a thief, is to let him show himself what he read more

The most peaceable way for you if you do take a thief, is to let him show himself what he is and steal out of your company. -Much Ado about Nothing. Act iii. Sc. 3.

You take my house when you do take the prop That doth sustain my house; you take my life When read more

You take my house when you do take the prop That doth sustain my house; you take my life When you do take the means whereby I live. -The Merchant of Venice. Act iv. Sc. 1.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

I would that I were low laid in my grave: I am not worth this coil that 's made for read more

I would that I were low laid in my grave: I am not worth this coil that 's made for me. -King John. Act ii. Sc. 1.

Had I a dozen sons, each in my love alike and none less dear than thine and my good Marcius, read more

Had I a dozen sons, each in my love alike and none less dear than thine and my good Marcius, I had rather eleven die nobly for their country than one voluptuously surfeit out of action. -Coriolanus. Act i. Sc. 3.