Every true man's apparel fits your thief. -Measure for Measure. Act iv. Sc. 2.

Every true man's apparel fits your thief. -Measure for Measure. Act iv. Sc. 2.

I will be correspondent to command, And do my spiriting gently. -The Tempest. Act i. Sc. 2.

I will be correspondent to command, And do my spiriting gently. -The Tempest. Act i. Sc. 2.

I am a Jew else, an Ebrew Jew. -King Henry IV. Part I. Act ii. Sc. 4.

I am a Jew else, an Ebrew Jew. -King Henry IV. Part I. Act ii. Sc. 4.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for read more

The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. -The Merchant of Venice. Act. v. Sc. 1.

The lunatic, the lover, and the poet Are of imagination all compact: One sees more devils than vast hell can read more

The lunatic, the lover, and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover, all as frantic, Sees Helen's beauty in a brow of Egypt: The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name. Such tricks hath strong imagination, That if it would but apprehend some joy, It comprehends some bringer of that joy; Or in the night, imagining some fear, How easy is a bush supposed a bear! -A Midsummer Night's Dream. Act v. Sc. 1.

As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him read more

As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious. -King Richard II. Act v. Sc. 2.

Patch grief with proverbs. -Much Ado about Nothing. Act v. Sc. 1.

Patch grief with proverbs. -Much Ado about Nothing. Act v. Sc. 1.

Old father antic the law. -King Henry IV. Part I. Act i. Sc. 2.

Old father antic the law. -King Henry IV. Part I. Act i. Sc. 2.