I thank you for your voices: thank you: Your most sweet voices. -Coriolanus. Act ii. Sc. 3.

I thank you for your voices: thank you: Your most sweet voices. -Coriolanus. Act ii. Sc. 3.

If this were played upon a stage now, I could condemn it as an improbable fiction. -Twelfth Night. Act iii. read more

If this were played upon a stage now, I could condemn it as an improbable fiction. -Twelfth Night. Act iii. Sc. 4.

That daffed the world aside, And bid it pass. -King Henry IV. Part I. Act iv. Sc. 1.

That daffed the world aside, And bid it pass. -King Henry IV. Part I. Act iv. Sc. 1.

All his successors gone before him have done 't; and all his ancestors that come after him may. -The Merry read more

All his successors gone before him have done 't; and all his ancestors that come after him may. -The Merry Wives of Windsor. Act i. Sc. 1.

Heat not a furnace for your foe so hot That it do singe yourself. -King Henry VIII. Act i. Sc. read more

Heat not a furnace for your foe so hot That it do singe yourself. -King Henry VIII. Act i. Sc. 1.

But earthlier happy is the rose distill'd Than that which withering on the virgin thorn Grows, lives, and dies in read more

But earthlier happy is the rose distill'd Than that which withering on the virgin thorn Grows, lives, and dies in single blessedness. -A Midsummer Night's Dream. Act i. Sc. 1.

Condemn the fault, and not the actor of it? -Measure for Measure. Act ii. Sc. 2.

Condemn the fault, and not the actor of it? -Measure for Measure. Act ii. Sc. 2.

A young man married is a man that 's marr'd. -All 's Well that Ends Well. Act ii. Sc. 3.

A young man married is a man that 's marr'd. -All 's Well that Ends Well. Act ii. Sc. 3.

A fellow that hath had losses, and one that hath two gowns and every thing handsome about him. -Much Ado read more

A fellow that hath had losses, and one that hath two gowns and every thing handsome about him. -Much Ado about Nothing. Act iv. Sc. 2.