Welcome ever smiles, And farewell goes out sighing. -Troilus and Cressida. Act iii. Sc. 3.

Welcome ever smiles, And farewell goes out sighing. -Troilus and Cressida. Act iii. Sc. 3.

Still you keep o' the windy side of the law. -Twelfth Night. Act iii. Sc. 4.

Still you keep o' the windy side of the law. -Twelfth Night. Act iii. Sc. 4.

All impediments in fancy's course Are motives of more fancy. -All 's Well that Ends Well. Act v. Sc. 3.

All impediments in fancy's course Are motives of more fancy. -All 's Well that Ends Well. Act v. Sc. 3.

I know that Deformed. -Much Ado about Nothing. Act iii. Sc. 3.

I know that Deformed. -Much Ado about Nothing. Act iii. Sc. 3.

He hath eaten me out of house and home. -King Henry IV. Part II. Act ii. Sc. 1.

He hath eaten me out of house and home. -King Henry IV. Part II. Act ii. Sc. 1.

But man, proud man, Drest in a little brief authority, Most ignorant of what he 's most assured, His glassy read more

But man, proud man, Drest in a little brief authority, Most ignorant of what he 's most assured, His glassy essence, like an angry ape, Plays such fantastic tricks before high heaven As make the angels weep. -Measure for Measure. Act ii. Sc. 2.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

A man in all the world's new fashion planted, That hath a mint of phrases in his brain. -Love's Labour read more

A man in all the world's new fashion planted, That hath a mint of phrases in his brain. -Love's Labour 's Lost. Act i. Sc. 1.

Like one Who having into truth, by telling of it, Made such a sinner of his memory, To credit his read more

Like one Who having into truth, by telling of it, Made such a sinner of his memory, To credit his own lie. -The Tempest. Act i. Sc. 2.