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    All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

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An I have not forgotten what the inside of a church is made of, I am a pepper-corn. -King Henry read more

An I have not forgotten what the inside of a church is made of, I am a pepper-corn. -King Henry IV. Part I. Act iii. Sc. 3.

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  8  /  9  

And sheathed their swords for lack of argument. -King Henry V. Act iii. Sc. 1.

And sheathed their swords for lack of argument. -King Henry V. Act iii. Sc. 1.

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  7  /  10  

'T is not for gravity to play at cherry-pit with Satan. -Twelfth Night. Act iii. Sc. 4.

'T is not for gravity to play at cherry-pit with Satan. -Twelfth Night. Act iii. Sc. 4.

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I know a trick worth two of that. -King Henry IV. Part I. Act ii. Sc. 1.

I know a trick worth two of that. -King Henry IV. Part I. Act ii. Sc. 1.

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There are a sort of men whose visages Do cream and mantle like a standing pond. -The Merchant of Venice. read more

There are a sort of men whose visages Do cream and mantle like a standing pond. -The Merchant of Venice. Act i. Sc. 1.

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Answer me in one word. -As You Like It. Act iii. Sc. 2.

Answer me in one word. -As You Like It. Act iii. Sc. 2.

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This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, read more

This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall Or as a moat defensive to a house, Against the envy of less happier lands,— This blessed plot, this earth, this realm, this England. -King Richard II. Act ii. Sc. 1.

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This is very midsummer madness. -Twelfth Night. Act iii. Sc. 4.

This is very midsummer madness. -Twelfth Night. Act iii. Sc. 4.

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He that wants money, means, and content is without three good friends. -As You Like It. Act iii. Sc. 2.

He that wants money, means, and content is without three good friends. -As You Like It. Act iii. Sc. 2.

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