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    All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

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  6  /  16  

A name unmusical to the Volscians' ears, And harsh in sound to thine. -Coriolanus. Act iv. Sc. 5.

A name unmusical to the Volscians' ears, And harsh in sound to thine. -Coriolanus. Act iv. Sc. 5.

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  2  /  2  

Yet the first bringer of unwelcome news Hath but a losing office, and his tongue Sounds ever after as a read more

Yet the first bringer of unwelcome news Hath but a losing office, and his tongue Sounds ever after as a sullen bell, Remember'd tolling a departing friend. -King Henry IV. Part II. Act i. Sc. 1.

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  2  /  11  

-Falstaff.

-Falstaff.

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  9  /  12  

Who may, in the ambush of my name, strike home. -Measure for Measure. Act i. Sc. 3.

Who may, in the ambush of my name, strike home. -Measure for Measure. Act i. Sc. 3.

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  7  /  7  

Must I hold a candle to my shames? -The Merchant of Venice. Act ii. Sc. 6.

Must I hold a candle to my shames? -The Merchant of Venice. Act ii. Sc. 6.

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  8  /  6  

What 's gone and what 's past help Should be past grief. -The Winter's Tale. Act iii. Sc. 2.

What 's gone and what 's past help Should be past grief. -The Winter's Tale. Act iii. Sc. 2.

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  2  /  11  

Look in the chronicles; we came in with Richard Conqueror. -The Taming of the Shrew. Induc. Sc. 1.

Look in the chronicles; we came in with Richard Conqueror. -The Taming of the Shrew. Induc. Sc. 1.

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  12  /  7  

Though Nestor swear the jest be laughable. -The Merchant of Venice. Act i. Sc. 1.

Though Nestor swear the jest be laughable. -The Merchant of Venice. Act i. Sc. 1.

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  5  /  10  

A deal of skimble-skamble stuff. -King Henry IV. Part I. Act iii. Sc. 1.

A deal of skimble-skamble stuff. -King Henry IV. Part I. Act iii. Sc. 1.

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