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    All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

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A woman moved is like a fountain troubled,— Muddy, ill-seeming, thick, bereft of beauty. -The Taming of the Shrew. Act read more

A woman moved is like a fountain troubled,— Muddy, ill-seeming, thick, bereft of beauty. -The Taming of the Shrew. Act v. Sc. 2.

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O jest unseen, inscrutable, invisible, As a nose on a man's face, or a weathercock on a steeple. -The Two read more

O jest unseen, inscrutable, invisible, As a nose on a man's face, or a weathercock on a steeple. -The Two Gentleman of Verona. Act ii. Sc. 1.

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The fair, the chaste, and unexpressive she. -As You Like It. Act iii. Sc. 2.

The fair, the chaste, and unexpressive she. -As You Like It. Act iii. Sc. 2.

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I have peppered two of them: two I am sure I have paid, two rogues in buckram suits. I tell read more

I have peppered two of them: two I am sure I have paid, two rogues in buckram suits. I tell thee what, Hal, if I tell thee a lie, spit in my face; call me horse. Thou knowest my old ward: here I lay, and thus I bore my point. Four rogues in buckram let drive at me— -King Henry IV. Part I. Act ii. Sc. 4.

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Journeys end in lovers meeting, Every wise man's son doth know. -Twelfth Night. Act ii. Sc. 3.

Journeys end in lovers meeting, Every wise man's son doth know. -Twelfth Night. Act ii. Sc. 3.

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A kind Of excellent dumb discourse. -The Tempest. Act iii. Sc. 3.

A kind Of excellent dumb discourse. -The Tempest. Act iii. Sc. 3.

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The rational hind Costard. -Love's Labour 's Lost. Act i. Sc. 2.

The rational hind Costard. -Love's Labour 's Lost. Act i. Sc. 2.

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What stronger breastplate than a heart untainted! Thrice is he armed that hath his quarrel just, And he but naked, read more

What stronger breastplate than a heart untainted! Thrice is he armed that hath his quarrel just, And he but naked, though locked up in steel, Whose conscience with injustice is corrupted. -King Henry VI. Part II. Act iii. Sc. 2.

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Charm ache with air, and agony with words. -Much Ado about Nothing. Act v. Sc. 1.

Charm ache with air, and agony with words. -Much Ado about Nothing. Act v. Sc. 1.

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