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    All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

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  8  /  24  

Deeper than e'er plummet sounded. -The Tempest. Act iii. Sc. 3.

Deeper than e'er plummet sounded. -The Tempest. Act iii. Sc. 3.

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  4  /  7  

But earthlier happy is the rose distill'd Than that which withering on the virgin thorn Grows, lives, and dies in read more

But earthlier happy is the rose distill'd Than that which withering on the virgin thorn Grows, lives, and dies in single blessedness. -A Midsummer Night's Dream. Act i. Sc. 1.

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  5  /  6  

God save the mark. -King Henry IV. Part I. Act i. Sc. 3.

God save the mark. -King Henry IV. Part I. Act i. Sc. 3.

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  13  /  16  

Home-keeping youth have ever homely wits. -The Two Gentleman of Verona. Act i. Sc. 1.

Home-keeping youth have ever homely wits. -The Two Gentleman of Verona. Act i. Sc. 1.

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  3  /  6  

The eftest way. -Much Ado about Nothing. Act iv. Sc. 2.

The eftest way. -Much Ado about Nothing. Act iv. Sc. 2.

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  7  /  9  

Love sought is good, but given unsought is better. -Twelfth Night. Act iii. Sc. 1.

Love sought is good, but given unsought is better. -Twelfth Night. Act iii. Sc. 1.

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  6  /  6  

The kindest man, The best-condition'd and unwearied spirit In doing courtesies. -The Merchant of Venice. Act iii. Sc. 2.

The kindest man, The best-condition'd and unwearied spirit In doing courtesies. -The Merchant of Venice. Act iii. Sc. 2.

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  8  /  8  

Let 's talk of graves, of worms, and epitaphs. -King Richard II. Act iii. Sc. 2.

Let 's talk of graves, of worms, and epitaphs. -King Richard II. Act iii. Sc. 2.

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  6  /  13  

Company, villanous company, hath been the spoil of me. -King Henry IV. Part I. Act iii. Sc. 3.

Company, villanous company, hath been the spoil of me. -King Henry IV. Part I. Act iii. Sc. 3.

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