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    All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

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You call me misbeliever, cut-throat dog, And spit upon my Jewish gaberdine. -The Merchant of Venice. Act i. Sc. 3.

You call me misbeliever, cut-throat dog, And spit upon my Jewish gaberdine. -The Merchant of Venice. Act i. Sc. 3.

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  12  /  11  

How bitter a thing it is to look into happiness through another man's eyes! -As You Like It. Act v. read more

How bitter a thing it is to look into happiness through another man's eyes! -As You Like It. Act v. Sc. 2.

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  5  /  9  

More matter for a May morning. -Twelfth Night. Act iii. Sc. 4.

More matter for a May morning. -Twelfth Night. Act iii. Sc. 4.

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  6  /  5  

An I thought he had been valiant and so cunning in fence, I 'ld have seen him damned ere I' read more

An I thought he had been valiant and so cunning in fence, I 'ld have seen him damned ere I' ld have challenged him. -Twelfth Night. Act iii. Sc. 4.

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The horn, the horn, the lusty horn Is not a thing to laugh to scorn. -As You Like It. Act read more

The horn, the horn, the lusty horn Is not a thing to laugh to scorn. -As You Like It. Act iv. Sc. 2.

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He hath eaten me out of house and home. -King Henry IV. Part II. Act ii. Sc. 1.

He hath eaten me out of house and home. -King Henry IV. Part II. Act ii. Sc. 1.

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Mark now, how a plain tale shall put you down. -King Henry IV. Part I. Act ii. Sc. 4.

Mark now, how a plain tale shall put you down. -King Henry IV. Part I. Act ii. Sc. 4.

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A wretched soul, bruised with adversity. -The Comedy of Errors. Act ii. Sc. 1.

A wretched soul, bruised with adversity. -The Comedy of Errors. Act ii. Sc. 1.

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Make haste; the better foot before. -King John. Act iv. Sc. 2.

Make haste; the better foot before. -King John. Act iv. Sc. 2.

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