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    All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

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  6  /  10  

Nature teaches beasts to know their friends. -Coriolanus. Act ii. Sc. 1.

Nature teaches beasts to know their friends. -Coriolanus. Act ii. Sc. 1.

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  16  /  20  

Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes: Nothing read more

Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes: Nothing of him that doth fade But doth suffer a sea-change Into something rich and strange. -The Tempest. Act i. Sc. 2.

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  6  /  11  

He draweth out the thread of his verbosity finer than the staple of his argument. -Love's Labour 's Lost. Act read more

He draweth out the thread of his verbosity finer than the staple of his argument. -Love's Labour 's Lost. Act v. Sc. 1.

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Let not the heavens hear these tell-tale women Rail on the Lord's anointed. -King Richard III. Act iv. Sc. 4.

Let not the heavens hear these tell-tale women Rail on the Lord's anointed. -King Richard III. Act iv. Sc. 4.

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  4  /  5  

To unpathed waters, undreamed shores. -The Winter's Tale. Act iv. Sc. 4.

To unpathed waters, undreamed shores. -The Winter's Tale. Act iv. Sc. 4.

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Is there no respect of place, persons, nor time in you? -Twelfth Night. Act ii. Sc. 3.

Is there no respect of place, persons, nor time in you? -Twelfth Night. Act ii. Sc. 3.

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  6  /  13  

Company, villanous company, hath been the spoil of me. -King Henry IV. Part I. Act iii. Sc. 3.

Company, villanous company, hath been the spoil of me. -King Henry IV. Part I. Act iii. Sc. 3.

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And sheathed their swords for lack of argument. -King Henry V. Act iii. Sc. 1.

And sheathed their swords for lack of argument. -King Henry V. Act iii. Sc. 1.

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Thus we play the fools with the time, and the spirits of the wise sit in the clouds and mock read more

Thus we play the fools with the time, and the spirits of the wise sit in the clouds and mock us. -King Henry IV. Part II. Act ii. Sc. 2.

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