Thou hast most traitorously corrupted the youth of the realm in erecting a grammar-school; and whereas, before, our forefathers had read more

Thou hast most traitorously corrupted the youth of the realm in erecting a grammar-school; and whereas, before, our forefathers had no other books but the score and the tally, thou hast caused printing to be used, and, contrary to the king, his crown and dignity, thou hast built a paper-mill. -King Henry VI. Part II. Act iv. Sc. 7.

Small have continual plodders ever won Save base authority from others' books. These earthly godfathers of heaven's lights That give read more

Small have continual plodders ever won Save base authority from others' books. These earthly godfathers of heaven's lights That give a name to every fixed star Have no more profit of their shining nights Than those that walk and wot not what they are. -Love's Labour 's Lost. Act i. Sc. 1.

O, what a world of vile ill-favour'd faults Looks handsome in three hundred pounds a year! -The Merry Wives of read more

O, what a world of vile ill-favour'd faults Looks handsome in three hundred pounds a year! -The Merry Wives of Windsor. Act iii. Sc. 4.

Makes a swan-like end, Fading in music. -The Merchant of Venice. Act iii. Sc. 2.

Makes a swan-like end, Fading in music. -The Merchant of Venice. Act iii. Sc. 2.

There is occasions and causes why and wherefore in all things. -King Henry V. Act v. Sc. 1.

There is occasions and causes why and wherefore in all things. -King Henry V. Act v. Sc. 1.

This night methinks is but the daylight sick. -The Merchant of Venice. Act. v. Sc. 1.

This night methinks is but the daylight sick. -The Merchant of Venice. Act. v. Sc. 1.

The hand that hath made you fair hath made you good. -Measure for Measure. Act iii. Sc. 1.

The hand that hath made you fair hath made you good. -Measure for Measure. Act iii. Sc. 1.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

Thy wish was father, Harry, to that thought. -King Henry IV. Part II. Act iv. Sc. 5.

Thy wish was father, Harry, to that thought. -King Henry IV. Part II. Act iv. Sc. 5.