The human mortals. -A Midsummer Night's Dream. Act ii. Sc. 1.

The human mortals. -A Midsummer Night's Dream. Act ii. Sc. 1.

This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, read more

This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall Or as a moat defensive to a house, Against the envy of less happier lands,— This blessed plot, this earth, this realm, this England. -King Richard II. Act ii. Sc. 1.

The young gentleman, according to Fates and Destinies and such odd sayings, the Sisters Three and such branches of learning, read more

The young gentleman, according to Fates and Destinies and such odd sayings, the Sisters Three and such branches of learning, is indeed deceased; or, as you would say in plain terms, gone to heaven. -The Merchant of Venice. Act ii. Sc. 2.

Let the world slide. -The Taming of the Shrew. Induc. Sc. 1.

Let the world slide. -The Taming of the Shrew. Induc. Sc. 1.

Your hearts are mighty, your skins are whole. -The Merry Wives of Windsor. Act iv. Sc. 1.

Your hearts are mighty, your skins are whole. -The Merry Wives of Windsor. Act iv. Sc. 1.

I cannot tell what the dickens his name is. -The Merry Wives of Windsor. Act iii. Sc. 2.

I cannot tell what the dickens his name is. -The Merry Wives of Windsor. Act iii. Sc. 2.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

I was now a coward on instinct. -King Henry IV. Part I. Act ii. Sc. 4.

I was now a coward on instinct. -King Henry IV. Part I. Act ii. Sc. 4.

My library Was dukedom large enough. -The Tempest. Act i. Sc. 2.

My library Was dukedom large enough. -The Tempest. Act i. Sc. 2.