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We will draw the curtain and show you the picture. -Twelfth Night. Act i. Sc. 5.

We will draw the curtain and show you the picture. -Twelfth Night. Act i. Sc. 5.

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Benedick the married man. -Much Ado about Nothing. Act i. Sc. 1.

Benedick the married man. -Much Ado about Nothing. Act i. Sc. 1.

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  8  /  8  

I never tempted her with word too large, But, as a brother to his sister, show'd Bashful sincerity and comely read more

I never tempted her with word too large, But, as a brother to his sister, show'd Bashful sincerity and comely love. -Much Ado about Nothing. Act iv. Sc. 1.

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Condemn the fault, and not the actor of it? -Measure for Measure. Act ii. Sc. 2.

Condemn the fault, and not the actor of it? -Measure for Measure. Act ii. Sc. 2.

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Old father antic the law. -King Henry IV. Part I. Act i. Sc. 2.

Old father antic the law. -King Henry IV. Part I. Act i. Sc. 2.

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  8  /  8  

And thus I clothe my naked villany With old odd ends stolen out of holy writ, And seem a saint read more

And thus I clothe my naked villany With old odd ends stolen out of holy writ, And seem a saint when most I play the devil. -King Richard III. Act i. Sc. 3.

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Let it serve for table-talk. -The Merchant of Venice. Act iii. Sc. 5.

Let it serve for table-talk. -The Merchant of Venice. Act iii. Sc. 5.

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Oft expectation fails, and most oft there Where most it promises. -All 's Well that Ends Well. Act ii. Sc. read more

Oft expectation fails, and most oft there Where most it promises. -All 's Well that Ends Well. Act ii. Sc. 1.

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The inaudible and noiseless foot of Time. -All 's Well that Ends Well. Act v. Sc. 3.

The inaudible and noiseless foot of Time. -All 's Well that Ends Well. Act v. Sc. 3.

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