Condemn the fault, and not the actor of it? -Measure for Measure. Act ii. Sc. 2.

Condemn the fault, and not the actor of it? -Measure for Measure. Act ii. Sc. 2.

All places that the eye of heaven visits Are to a wise man ports and happy havens. -King Richard II. read more

All places that the eye of heaven visits Are to a wise man ports and happy havens. -King Richard II. Act i. Sc. 3.

Tush! tush! fear boys with bugs. -The Taming of the Shrew. Act i. Sc. 2.

Tush! tush! fear boys with bugs. -The Taming of the Shrew. Act i. Sc. 2.

The words of Mercury are harsh after the songs of Apollo. -Love's Labour 's Lost. Act v. Sc. 2.

The words of Mercury are harsh after the songs of Apollo. -Love's Labour 's Lost. Act v. Sc. 2.

I thank you for your voices: thank you: Your most sweet voices. -Coriolanus. Act ii. Sc. 3.

I thank you for your voices: thank you: Your most sweet voices. -Coriolanus. Act ii. Sc. 3.

The daintiest last, to make the end most sweet. -King Richard II. Act i. Sc. 3.

The daintiest last, to make the end most sweet. -King Richard II. Act i. Sc. 3.

If music be the food of love, play on; Give me excess of it, that, surfeiting, The appetite may sicken, read more

If music be the food of love, play on; Give me excess of it, that, surfeiting, The appetite may sicken, and so die. That strain again! it had a dying fall: O, it came o'er my ear like the sweet sound That breathes upon a bank of violets, Stealing and giving odour! -Twelfth Night. Act i. Sc. 1.

But love is blind, and lovers cannot see The pretty follies that themselves commit. -The Merchant of Venice. Act ii. read more

But love is blind, and lovers cannot see The pretty follies that themselves commit. -The Merchant of Venice. Act ii. Sc. 6.

For when did friendship take A breed for barren metal of his friend? -The Merchant of Venice. Act i. Sc. read more

For when did friendship take A breed for barren metal of his friend? -The Merchant of Venice. Act i. Sc. 3.