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    Sigh no more, ladies, sigh no more, Men were deceivers ever,— One foot in sea and one on shore, To one thing constant never. -Much Ado about Nothing. Act ii. Sc. 3.

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  5  /  11  

Honour pricks me on. Yea, but how if honour prick me off when I come on,—how then? Can honour set read more

Honour pricks me on. Yea, but how if honour prick me off when I come on,—how then? Can honour set to a leg? no: or an arm? no: or take away the grief of a wound? no. Honour hath no skill in surgery, then? no. What is honour? a word. What is in that word honour; what is that honour? air. A trim reckoning! Who hath it? he that died o' Wednesday. Doth he feel it? no. Doth he hear it? no. 'T is insensible, then? yea, to the dead. But will it not live with the living? no. Why? detraction will not suffer it. Therefore I 'll none of it. Honour is a mere scutcheon. And so ends my catechism. -King Henry IV. Part I. Act v. Sc. 1.

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Condemn the fault, and not the actor of it? -Measure for Measure. Act ii. Sc. 2.

Condemn the fault, and not the actor of it? -Measure for Measure. Act ii. Sc. 2.

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  10  /  8  

The sense of death is most in apprehension; And the poor beetle, that we tread upon, In corporal sufferance finds read more

The sense of death is most in apprehension; And the poor beetle, that we tread upon, In corporal sufferance finds a pang as great As when a giant dies. -Measure for Measure. Act iii. Sc. 1.

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After my death I wish no other herald, No other speaker of my living actions, To keep mine honour from read more

After my death I wish no other herald, No other speaker of my living actions, To keep mine honour from corruption, But such an honest chronicler as Griffith. -King Henry VIII. Act iv. Sc. 2.

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Every why hath a wherefore. -The Comedy of Errors. Act ii. Sc. 2.

Every why hath a wherefore. -The Comedy of Errors. Act ii. Sc. 2.

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Lie ten nights awake, carving the fashion of a new doublet. He was wont to speak plain and to the read more

Lie ten nights awake, carving the fashion of a new doublet. He was wont to speak plain and to the purpose. -Much Ado about Nothing. Act ii. Sc. 3.

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  13  /  22  

To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or read more

To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful and ridiculous excess. -King John. Act iv. Sc. 2.

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Charm ache with air, and agony with words. -Much Ado about Nothing. Act v. Sc. 1.

Charm ache with air, and agony with words. -Much Ado about Nothing. Act v. Sc. 1.

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I dote on his very absence. -The Merchant of Venice. Act i. Sc. 2.

I dote on his very absence. -The Merchant of Venice. Act i. Sc. 2.

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