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All the world 's a stage, And all the men and women merely players. They have their exits and their read more
All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.
Aggravate your choler. -King Henry IV. Part II. Act ii. Sc. 4.
Aggravate your choler. -King Henry IV. Part II. Act ii. Sc. 4.
The fringed curtains of thine eye advance. -The Tempest. Act i. Sc. 2.
The fringed curtains of thine eye advance. -The Tempest. Act i. Sc. 2.
A kind Of excellent dumb discourse. -The Tempest. Act iii. Sc. 3.
A kind Of excellent dumb discourse. -The Tempest. Act iii. Sc. 3.
There 's nothing ill can dwell in such a temple: If the ill spirit have so fair a house, Good read more
There 's nothing ill can dwell in such a temple: If the ill spirit have so fair a house, Good things will strive to dwell with 't. -The Tempest. Act i. Sc. 2.
The devil can cite Scripture for his purpose. -The Merchant of Venice. Act i. Sc. 3.
The devil can cite Scripture for his purpose. -The Merchant of Venice. Act i. Sc. 3.
The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to read more
The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was. -A Midsummer Night's Dream. Act iv. Sc. 1.
Let it serve for table-talk. -The Merchant of Venice. Act iii. Sc. 5.
Let it serve for table-talk. -The Merchant of Venice. Act iii. Sc. 5.
