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You need three things in the theatre--the play, the actors and the audience,--and each must give something.
You need three things in the theatre--the play, the actors and the audience,--and each must give something.
To wake the soul by tender strokes of art,
To raise the genius, and to mend the heart;
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To wake the soul by tender strokes of art,
To raise the genius, and to mend the heart;
To make mankind, in conscious virtue bold,
Live o'er each scene, and be what they behold--
For this the tragic Muse first trod the stage.
Prologues precede the piece in mournful verse,
As undertakers walk before the hearse.
Prologues precede the piece in mournful verse,
As undertakers walk before the hearse.
The actor who slapped you on the stage waits behind
the curtain to congratulate you on your performance
Sai Baba
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The actor who slapped you on the stage waits behind
the curtain to congratulate you on your performance
Sai Baba
http://www.vahini.org/downloads.
It's very hard! Oh, Dick, my boy,
It's very hard one can't enjoy
A little private spouting;
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It's very hard! Oh, Dick, my boy,
It's very hard one can't enjoy
A little private spouting;
But sure as Lear or Hamlet lives,
Up comes our master, Bounce! and gives
The tragic Muse a routing.
Farce follow'd Comedy, and reach'd her prime.
In ever-laughing Foote's fantastic time;
Mad wag! who pardon'd none, read more
Farce follow'd Comedy, and reach'd her prime.
In ever-laughing Foote's fantastic time;
Mad wag! who pardon'd none, nor spared the best,
And turn'd some very serious things to jest.
Nor church nor state escaped his public sneers,
Arms nor the gown, priests, lawyers, volunteers;
"Alas, poor Yorick!" now forever mute!
Whoever loves a laugh must sigh for Foote.
We smile, perforce, when histrionic scenes
Ape the swoln dialogue of kings and queens,
When "Chrononhotonthelogos must die,"
And Arthur struts in mimic majesty.
To grasp the full significance of life is the actor's duty, to interpret it is his problem, and to express read more
To grasp the full significance of life is the actor's duty, to interpret it is his problem, and to express it his dedication.
The play was a great success but the audience was a disaster.
The play was a great success but the audience was a disaster.
Prologues like compliments are loss of time;
'Tis penning bows and making legs in rhyme.
Prologues like compliments are loss of time;
'Tis penning bows and making legs in rhyme.