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It's very hard! Oh, Dick, my boy,
It's very hard one can't enjoy
A little private spouting;
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It's very hard! Oh, Dick, my boy,
It's very hard one can't enjoy
A little private spouting;
But sure as Lear or Hamlet lives,
Up comes our master, Bounce! and gives
The tragic Muse a routing.
Farce follow'd Comedy, and reach'd her prime.
In ever-laughing Foote's fantastic time;
Mad wag! who pardon'd none, read more
Farce follow'd Comedy, and reach'd her prime.
In ever-laughing Foote's fantastic time;
Mad wag! who pardon'd none, nor spared the best,
And turn'd some very serious things to jest.
Nor church nor state escaped his public sneers,
Arms nor the gown, priests, lawyers, volunteers;
"Alas, poor Yorick!" now forever mute!
Whoever loves a laugh must sigh for Foote.
We smile, perforce, when histrionic scenes
Ape the swoln dialogue of kings and queens,
When "Chrononhotonthelogos must die,"
And Arthur struts in mimic majesty.
The best actors do not let the wheels show.
The best actors do not let the wheels show.
There still remains to mortify a wit
The many-headed monster of the pit.
There still remains to mortify a wit
The many-headed monster of the pit.
I know very little about acting. I'm just an incredibly gifted faker.
I know very little about acting. I'm just an incredibly gifted faker.
If it be true that good wine needs no bush, 'tis true that a good
play needs no epilogue.
If it be true that good wine needs no bush, 'tis true that a good
play needs no epilogue.
This is the Jew that Shakespeare drew.
This is the Jew that Shakespeare drew.
This many-headed monster.
This many-headed monster.
Acting is not being emotional, but being able to express emotion.
Acting is not being emotional, but being able to express emotion.