You can't teach a hunter it's wrong to kill.

You can't teach a hunter it's wrong to kill.

A sequel is an admission that you've been reduced to imitating yourself.

A sequel is an admission that you've been reduced to imitating yourself.

Do not worry about the incarnation of ideas. If you are a poet, your works will contain them without your read more

Do not worry about the incarnation of ideas. If you are a poet, your works will contain them without your knowledge -- they will be both moral and national if you follow your inspiration freely.

The writing of a poem is like a child throwing stones into a mineshaft. You compose first, then you listen read more

The writing of a poem is like a child throwing stones into a mineshaft. You compose first, then you listen for the reverberation.

We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have read more

We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.

A poet in history is divine, but a poet in the next room is a joke.

A poet in history is divine, but a poet in the next room is a joke.

Author: A fool, who, not content with having bored those who have lived with him, insists on tormenting the generations read more

Author: A fool, who, not content with having bored those who have lived with him, insists on tormenting the generations to come.

Our poetry in the eighteenth century was prose; our prose in the
seventeenth, poetry.

Our poetry in the eighteenth century was prose; our prose in the
seventeenth, poetry.

In literature as in ethics, there is danger, as well as glory, in being subtle. Aristocracy isolates us.

In literature as in ethics, there is danger, as well as glory, in being subtle. Aristocracy isolates us.