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Before I can have any joy in being alone with God I must have learned not to fear being alone read more
Before I can have any joy in being alone with God I must have learned not to fear being alone with myself. Shrinking from any deep self-scrutiny is by no means an uncommon thing, and often goes far to explain the feverish restlessness with which a world-loving heart plunges into perpetual rounds of gaieties and dissipations; they serve as an escape from troublesome questions about the soul, and help to get rid of the clamours of conscience.
Continuing a Lenten series on prayer: I have called my material surroundings a stage set. In this I can read more
Continuing a Lenten series on prayer: I have called my material surroundings a stage set. In this I can act. And you may well say "act". For what I call "myself" (for all practical, everyday purposes) is also a dramatic construction; memories, glimpses in the shavinglass, and snatches of the very fallible activity called "introspection", are the principal ingredients. Normally I call this construction "me"' and the stage set "the real world". Now the moment of prayer is for me -- or involves for me as its condition -- the awareness, the reawakened awareness, that this "real world" and "real self" are very far from being rock-bottom realities. I cannot, in the flesh, leave the stage, either to go behind the scenes or to take my seat in the pit; but I can remember that these regions exist. And I also remember that my apparent self -- this clown or hero or super -- under his grease-paint is a real person with an off-stage life. The dramatic person could not tread the stage unless he concealed a real person: unless the real and unknown I existed, I would not even make mistakes about the imagined me. And in prayer this real I struggles to speak, for once, from his real being, and to address, for once, not the other actors, but -- what shall I call Him? The Author, for He invented us all? The Producer, for He controls all? Or the Audience, for He watches, and will judge, the performance?
I have had more trouble with myself than with any other man I have ever met.
I have had more trouble with myself than with any other man I have ever met.
Feast of Thomas Aquinas, Priest, Teacher of the Faith, 1274 The end of all my labors has come. read more
Feast of Thomas Aquinas, Priest, Teacher of the Faith, 1274 The end of all my labors has come. All that I have written appears to me as much straw after the things that have been revealed to me.
Feast of Clare of Assisi, Founder of the Order of Minoresses (Poor Clares), 1253 Commemoration of John Henry Newman, Priest, read more
Feast of Clare of Assisi, Founder of the Order of Minoresses (Poor Clares), 1253 Commemoration of John Henry Newman, Priest, Teacher, Tractarian, 1890 It is our great relief that God is not extreme to mark what is done amiss, that he looks at the motives, and accepts and blesses in spite of incidental errors.
Feast of Edward the Confessor, 1066 The Lord afflicts us at times; but it is always a thousand read more
Feast of Edward the Confessor, 1066 The Lord afflicts us at times; but it is always a thousand times less than we deserve, and much less than many of our fellow-creatures are suffering around us. Let us therefore pray for grace to be humble, thankful, and patient.
Commemoration of William Morris, Artist, Writer, 1896 Commemoration of George Kennedy Bell, Bishop of Chichester, Ecumenist, Peacemaker, 1958 We read more
Commemoration of William Morris, Artist, Writer, 1896 Commemoration of George Kennedy Bell, Bishop of Chichester, Ecumenist, Peacemaker, 1958 We admit no faith to be justifying, which is not itself and in its own nature a spiritually vital principle of obedience and good works.
If the Christian penitent dares to ask that his many departures from the Christian norm, his impatience, gloom, self-occupation, unloving read more
If the Christian penitent dares to ask that his many departures from the Christian norm, his impatience, gloom, self-occupation, unloving prejudices, reckless tongue, feverish desires, with all the damage they have caused to Christ's Body, be set aside, because -- because, in spite of all, he longs for God and Eternal Life: then he must set aside and forgive all that the impatience, selfishness, bitter and foolish speech, and sudden yieldings to base impulse by others have caused him to endure. Hardness is the one impossible thing. Harshness to others in those who ask and need the mercy of God sets up a conflict at the very heart of personality and shuts the door upon grace.
Commemoration of Gladys Aylward, Missionary in China, 1970 George Brush, the hero of [Thornton Wilder's] "Heaven's My Destination", read more
Commemoration of Gladys Aylward, Missionary in China, 1970 George Brush, the hero of [Thornton Wilder's] "Heaven's My Destination", a textbook salesman and evangelist extraordinary, is the innocent fool, in the kindliest sense of both the noun and the adjective. He is striving to be the fool in Christ, sowing the inevitable amazement, consternation and wrath that must ensue when Christ's fool runs at large among the worldly wise.