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And, after all, it is style alone by which posterity will judge
of a great work, for an author read more
And, after all, it is style alone by which posterity will judge
of a great work, for an author can have nothing truly his own but
his style.
Fashions fade, style is eternal.
Fashions fade, style is eternal.
I discovered that what's really important for a creator isn't what we vaguely define as inspiration or even what it read more
I discovered that what's really important for a creator isn't what we vaguely define as inspiration or even what it is we want to say, recall, regret, or rebel against. No, what's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.
Obscurity is the realm of error.
[Fr., L'obscurite est le royaume de l'erreur.]
Obscurity is the realm of error.
[Fr., L'obscurite est le royaume de l'erreur.]
Style is a magic wand, and turns everything to gold that it touches
Style is a magic wand, and turns everything to gold that it touches
Style! style! why, all writers will tell you that it is the very
thing which can least of all read more
Style! style! why, all writers will tell you that it is the very
thing which can least of all be changed. A man's style is nearly
as much a part of him as his physiognomy, his figure, the
throbbing of this pulse,--in short, as any part of his being is
at least subjected to the action of the will.
The gloomy comparisons of a disturbed imagination, the melancholy
madness of poetry without the inspiration.
The gloomy comparisons of a disturbed imagination, the melancholy
madness of poetry without the inspiration.
I do not go down and sit in front of the computer and make myself write; that's not my style.
I do not go down and sit in front of the computer and make myself write; that's not my style.
The flowery style is not unsuitable to public speeches or
addresses, which amount only to compliment. The lighter beauties read more
The flowery style is not unsuitable to public speeches or
addresses, which amount only to compliment. The lighter beauties
are in their place when there is nothing more solid to say; but
the flowery style ought to be banished from a pleading, a sermon,
or a didactic work.
- Voltaire (Francois Marie Arouet Voltaire),