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Neat, not gaudy.
Neat, not gaudy.
All styles are good except the tiresome kind.
[Fr., Tous les genres sont bons, hors le genre ennuyeux.]
All styles are good except the tiresome kind.
[Fr., Tous les genres sont bons, hors le genre ennuyeux.]
The style is the man.
[Fr., Le style c'est l'homme.]
The style is the man.
[Fr., Le style c'est l'homme.]
Fashions fade, style is eternal.
Fashions fade, style is eternal.
Style! style! why, all writers will tell you that it is the very
thing which can least of all read more
Style! style! why, all writers will tell you that it is the very
thing which can least of all be changed. A man's style is nearly
as much a part of him as his physiognomy, his figure, the
throbbing of this pulse,--in short, as any part of his being is
at least subjected to the action of the will.
Such labour'd nothings, in so strange a style.
Amaze th' learn'd, and make the learned smile.
Such labour'd nothings, in so strange a style.
Amaze th' learn'd, and make the learned smile.
I discovered that what's really important for a creator isn't what we vaguely define as inspiration or even what it read more
I discovered that what's really important for a creator isn't what we vaguely define as inspiration or even what it is we want to say, recall, regret, or rebel against. No, what's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.
For style beyond the genius never dares.
[Fr., Che stilo oltra l'ingegno non si stende.]
For style beyond the genius never dares.
[Fr., Che stilo oltra l'ingegno non si stende.]
Obscurity is the realm of error.
[Fr., L'obscurite est le royaume de l'erreur.]
Obscurity is the realm of error.
[Fr., L'obscurite est le royaume de l'erreur.]