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Yet the first bringer of unwelcome news Hath but a losing office, and his tongue Sounds ever after as a read more
Yet the first bringer of unwelcome news Hath but a losing office, and his tongue Sounds ever after as a sullen bell, Remember'd tolling a departing friend. -King Henry IV. Part II. Act i. Sc. 1.
The most senseless and fit man. -Much Ado about Nothing. Act iii. Sc. 3.
The most senseless and fit man. -Much Ado about Nothing. Act iii. Sc. 3.
How sweet the moonlight sleeps upon this bank! Here we will sit and let the sounds of music Creep in read more
How sweet the moonlight sleeps upon this bank! Here we will sit and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold: There 's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins. Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it. -The Merchant of Venice. Act. v. Sc. 1.
Look in the chronicles; we came in with Richard Conqueror. -The Taming of the Shrew. Induc. Sc. 1.
Look in the chronicles; we came in with Richard Conqueror. -The Taming of the Shrew. Induc. Sc. 1.
All hell shall stir for this. -King Henry V. Act v. Sc. 1.
All hell shall stir for this. -King Henry V. Act v. Sc. 1.
Men Can counsel and speak comfort to that grief Which they themselves not feel. -Much Ado about Nothing. Act v. read more
Men Can counsel and speak comfort to that grief Which they themselves not feel. -Much Ado about Nothing. Act v. Sc. 1.
Play out the play. -King Henry IV. Part I. Act ii. Sc. 4.
Play out the play. -King Henry IV. Part I. Act ii. Sc. 4.
The seeming truth which cunning times put on To entrap the wisest. -The Merchant of Venice. Act iii. Sc. 2.
The seeming truth which cunning times put on To entrap the wisest. -The Merchant of Venice. Act iii. Sc. 2.
