A name unmusical to the Volscians' ears, And harsh in sound to thine. -Coriolanus. Act iv. Sc. 5.

A name unmusical to the Volscians' ears, And harsh in sound to thine. -Coriolanus. Act iv. Sc. 5.

To the latter end of a fray and the beginning of a feast Fits a dull fighter and a keen read more

To the latter end of a fray and the beginning of a feast Fits a dull fighter and a keen guest. -King Henry IV. Part I. Act iv. Sc. 2.

A foutre for the world and worldlings base! I speak of Africa and golden joys. -King Henry IV. Part II. read more

A foutre for the world and worldlings base! I speak of Africa and golden joys. -King Henry IV. Part II. Act v. Sc. 3.

Let not the heavens hear these tell-tale women Rail on the Lord's anointed. -King Richard III. Act iv. Sc. 4.

Let not the heavens hear these tell-tale women Rail on the Lord's anointed. -King Richard III. Act iv. Sc. 4.

I do desire we may be better strangers. -As You Like It. Act iii. Sc. 2.

I do desire we may be better strangers. -As You Like It. Act iii. Sc. 2.

But love is blind, and lovers cannot see The pretty follies that themselves commit. -The Merchant of Venice. Act ii. read more

But love is blind, and lovers cannot see The pretty follies that themselves commit. -The Merchant of Venice. Act ii. Sc. 6.

It goes much against my stomach. Hast any philosophy in thee, shepherd? -As You Like It. Act iii. Sc. 2.

It goes much against my stomach. Hast any philosophy in thee, shepherd? -As You Like It. Act iii. Sc. 2.

A merrier man, Within the limit of becoming mirth, I never spent an hour's talk withal. -Love's Labour 's Lost. read more

A merrier man, Within the limit of becoming mirth, I never spent an hour's talk withal. -Love's Labour 's Lost. Act ii. Sc. 1.

The ripest fruit first falls. -King Richard II. Act ii. Sc. 1.

The ripest fruit first falls. -King Richard II. Act ii. Sc. 1.