And telling me, the sovereign'st thing on earth Was parmaceti for an inward bruise; And that it was great pity, read more

And telling me, the sovereign'st thing on earth Was parmaceti for an inward bruise; And that it was great pity, so it was, This villanous saltpetre should be digg'd Out of the bowels of the harmless earth, Which many a good tall fellow had destroy'd So cowardly; and but for these vile guns, He would himself have been a soldier. -King Henry IV. Part I. Act i. Sc. 3.

Fresh as a bridegroom; and his chin new reap'd Showed like a stubble-land at harvest-home; He was perfumed like a read more

Fresh as a bridegroom; and his chin new reap'd Showed like a stubble-land at harvest-home; He was perfumed like a milliner, And 'twixt his finger and his thumb he held A pouncet-box, which ever and anon He gave his nose and took 't away again. -King Henry IV. Part I. Act i. Sc. 3.

I was now a coward on instinct. -King Henry IV. Part I. Act ii. Sc. 4.

I was now a coward on instinct. -King Henry IV. Part I. Act ii. Sc. 4.

Sigh no more, ladies, sigh no more, Men were deceivers ever,— One foot in sea and one on shore, To read more

Sigh no more, ladies, sigh no more, Men were deceivers ever,— One foot in sea and one on shore, To one thing constant never. -Much Ado about Nothing. Act ii. Sc. 3.

I cannot tell what the dickens his name is. -The Merry Wives of Windsor. Act iii. Sc. 2.

I cannot tell what the dickens his name is. -The Merry Wives of Windsor. Act iii. Sc. 2.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

A wretched soul, bruised with adversity. -The Comedy of Errors. Act ii. Sc. 1.

A wretched soul, bruised with adversity. -The Comedy of Errors. Act ii. Sc. 1.

Most forcible Feeble. -King Henry IV. Part II. Act iii. Sc. 2.

Most forcible Feeble. -King Henry IV. Part II. Act iii. Sc. 2.

We have some salt of our youth in us. -The Merry Wives of Windsor. Act ii. Sc. 3.

We have some salt of our youth in us. -The Merry Wives of Windsor. Act ii. Sc. 3.