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In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. read more
In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. 1.
He was ever precise in promise-keeping. -Measure for Measure. Act i. Sc. 2.
He was ever precise in promise-keeping. -Measure for Measure. Act i. Sc. 2.
A needy, hollow-eyed, sharp-looking wretch, A living-dead man. -The Comedy of Errors. Act v. Sc. 1.
A needy, hollow-eyed, sharp-looking wretch, A living-dead man. -The Comedy of Errors. Act v. Sc. 1.
It is a melancholy of mine own, compounded of many simples, extracted from many objects, and indeed the sundry contemplation read more
It is a melancholy of mine own, compounded of many simples, extracted from many objects, and indeed the sundry contemplation of my travels, in which my often rumination wraps me in a most humorous sadness. -As You Like It. Act iv. Sc. 1.
A mockery king of snow. -King Richard II. Act iv. Sc. 1.
A mockery king of snow. -King Richard II. Act iv. Sc. 1.
I am not in the roll of common men. -King Henry IV. Part I. Act iii. Sc. 1.
I am not in the roll of common men. -King Henry IV. Part I. Act iii. Sc. 1.
What seest thou else In the dark backward and abysm of time? -The Tempest. Act i. Sc. 2.
What seest thou else In the dark backward and abysm of time? -The Tempest. Act i. Sc. 2.
Truth is truth To the end of reckoning. -Measure for Measure. Act v. Sc. 1.
Truth is truth To the end of reckoning. -Measure for Measure. Act v. Sc. 1.
Let not the heavens hear these tell-tale women Rail on the Lord's anointed. -King Richard III. Act iv. Sc. 4.
Let not the heavens hear these tell-tale women Rail on the Lord's anointed. -King Richard III. Act iv. Sc. 4.