Renowned Spenser, lie a thought more nigh
To learned Chaucer, and rare Beaumont lie
A little nearer read more

Renowned Spenser, lie a thought more nigh
To learned Chaucer, and rare Beaumont lie
A little nearer Spenser, to make room
For Shakespeare in your threefold, fourfold tomb.

Neither rhyme nor reason. -As You Like It. Act iii. Sc. 2.

Neither rhyme nor reason. -As You Like It. Act iii. Sc. 2.

He was not of an age, but for all time!
And all the Muses still were in their prime,
read more

He was not of an age, but for all time!
And all the Muses still were in their prime,
When, like Apollo, he came forth to warm
Our ears, or like a Mercury to charm!

All impediments in fancy's course Are motives of more fancy. -All 's Well that Ends Well. Act v. Sc. 3.

All impediments in fancy's course Are motives of more fancy. -All 's Well that Ends Well. Act v. Sc. 3.

For courage mounteth with occasion. -King John. Act ii. Sc. 1.

For courage mounteth with occasion. -King John. Act ii. Sc. 1.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

When we mean to build, We first survey the plot, then draw the model; And when we see the figure read more

When we mean to build, We first survey the plot, then draw the model; And when we see the figure of the house, Then must we rate the cost of the erection. -King Henry IV. Part II. Act i. Sc. 3.

The horn, the horn, the lusty horn Is not a thing to laugh to scorn. -As You Like It. Act read more

The horn, the horn, the lusty horn Is not a thing to laugh to scorn. -As You Like It. Act iv. Sc. 2.

Thou troublest me; I am not in the vein. -King Richard III. Act iv. Sc. 2.

Thou troublest me; I am not in the vein. -King Richard III. Act iv. Sc. 2.