Thou art the Mars of malcontents. -The Merry Wives of Windsor. Act i. Sc. 3.

Thou art the Mars of malcontents. -The Merry Wives of Windsor. Act i. Sc. 3.

Down on your knees, And thank Heaven, fasting, for a good man's love. -As You Like It. Act iii. Sc. read more

Down on your knees, And thank Heaven, fasting, for a good man's love. -As You Like It. Act iii. Sc. 5.

If there be no great love in the beginning, yet heaven may decrease it upon better acquaintance, when we are read more

If there be no great love in the beginning, yet heaven may decrease it upon better acquaintance, when we are married and have more occasion to know one another: I hope, upon familiarity will grow more contempt. -The Merry Wives of Windsor. Act i. Sc. 1.

This senior-junior, giant-dwarf, Dan Cupid; Regent of love-rhymes, lord of folded arms, The anointed sovereign of sighs and groans, Liege read more

This senior-junior, giant-dwarf, Dan Cupid; Regent of love-rhymes, lord of folded arms, The anointed sovereign of sighs and groans, Liege of all loiterers and malcontents. -Love's Labour 's Lost. Act iii. Sc. 1.

O, monstrous! but one half-pennyworth of bread to this intolerable deal of sack! -King Henry IV. Part I. Act ii. read more

O, monstrous! but one half-pennyworth of bread to this intolerable deal of sack! -King Henry IV. Part I. Act ii. Sc. 4.

To leave this keen encounter of our wits. -King Richard III. Act i. Sc. 2.

To leave this keen encounter of our wits. -King Richard III. Act i. Sc. 2.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

I dote on his very absence. -The Merchant of Venice. Act i. Sc. 2.

I dote on his very absence. -The Merchant of Venice. Act i. Sc. 2.

And my large kingdom for a little grave, A little little grave, an obscure grave. -King Richard II. Act iii. read more

And my large kingdom for a little grave, A little little grave, an obscure grave. -King Richard II. Act iii. Sc. 3.