Consideration, like an angel, came And whipped the offending Adam out of him. -King Henry V. Act i. Sc. 1.

Consideration, like an angel, came And whipped the offending Adam out of him. -King Henry V. Act i. Sc. 1.

He draweth out the thread of his verbosity finer than the staple of his argument. -Love's Labour 's Lost. Act read more

He draweth out the thread of his verbosity finer than the staple of his argument. -Love's Labour 's Lost. Act v. Sc. 1.

The sons of Edward sleep in Abraham's bosom. -King Richard III. Act iv. Sc. 3.

The sons of Edward sleep in Abraham's bosom. -King Richard III. Act iv. Sc. 3.

Let it serve for table-talk. -The Merchant of Venice. Act iii. Sc. 5.

Let it serve for table-talk. -The Merchant of Venice. Act iii. Sc. 5.

Dictynna, goodman Dull. -Love's Labour 's Lost. Act iv. Sc. 2.

Dictynna, goodman Dull. -Love's Labour 's Lost. Act iv. Sc. 2.

A wretched soul, bruised with adversity. -The Comedy of Errors. Act ii. Sc. 1.

A wretched soul, bruised with adversity. -The Comedy of Errors. Act ii. Sc. 1.

For aught that I could ever read, Could ever hear by tale or history, The course of true love never read more

For aught that I could ever read, Could ever hear by tale or history, The course of true love never did run smooth. -A Midsummer Night's Dream. Act i. Sc. 1.

Mislike me not for my complexion, The shadow'd livery of the burnish'd sun. -The Merchant of Venice. Act ii. Sc. read more

Mislike me not for my complexion, The shadow'd livery of the burnish'd sun. -The Merchant of Venice. Act ii. Sc. 1.

'T is not in the bond. -The Merchant of Venice. Act iv. Sc. 1.

'T is not in the bond. -The Merchant of Venice. Act iv. Sc. 1.