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The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for read more

The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. -The Merchant of Venice. Act. v. Sc. 1.

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I 'll not budge an inch. -The Taming of the Shrew. Induc. Sc. 1.

I 'll not budge an inch. -The Taming of the Shrew. Induc. Sc. 1.

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  13  /  13  

All impediments in fancy's course Are motives of more fancy. -All 's Well that Ends Well. Act v. Sc. 3.

All impediments in fancy's course Are motives of more fancy. -All 's Well that Ends Well. Act v. Sc. 3.

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Old father antic the law. -King Henry IV. Part I. Act i. Sc. 2.

Old father antic the law. -King Henry IV. Part I. Act i. Sc. 2.

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Rob me the exchequer. -King Henry IV. Part I. Act iii. Sc. 3.

Rob me the exchequer. -King Henry IV. Part I. Act iii. Sc. 3.

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I would that I were low laid in my grave: I am not worth this coil that 's made for read more

I would that I were low laid in my grave: I am not worth this coil that 's made for me. -King John. Act ii. Sc. 1.

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  12  /  9  

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

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Foolery, sir, does walk about the orb like the sun; it shines everywhere. -Twelfth Night. Act iii. Sc. 1.

Foolery, sir, does walk about the orb like the sun; it shines everywhere. -Twelfth Night. Act iii. Sc. 1.

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'T is better to be lowly born, And range with humble livers in content, Than to be perked up in read more

'T is better to be lowly born, And range with humble livers in content, Than to be perked up in a glistering grief, And wear a golden sorrow. -King Henry VIII. Act ii. Sc. 3.

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