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    Masters, it is proved already that you are little better than false knaves; and it will go near to be thought so shortly. -Much Ado about Nothing. Act iv. Sc. 2.

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How sweet a thing it is to wear a crown, Within whose circuit is Elysium And all that poets feign read more

How sweet a thing it is to wear a crown, Within whose circuit is Elysium And all that poets feign of bliss and joy! -King Henry VI. Part III. Act i. Sc. 2.

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All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

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Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. read more

Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. Act i. Sc. 1.

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I thank thee, Jew, for teaching me that word. -The Merchant of Venice. Act iv. Sc. 1.

I thank thee, Jew, for teaching me that word. -The Merchant of Venice. Act iv. Sc. 1.

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Our myriad-minded Shakespeare.

Our myriad-minded Shakespeare.

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The gaudy, blabbing, and remorseful day Is crept into the bosom of the sea. -King Henry VI. Part II. Act read more

The gaudy, blabbing, and remorseful day Is crept into the bosom of the sea. -King Henry VI. Part II. Act iv. Sc. 1.

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I shall ne'er be ware of mine own wit till I break my shins against it. -As You Like It. read more

I shall ne'er be ware of mine own wit till I break my shins against it. -As You Like It. Act ii. Sc. 4.

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For when did friendship take A breed for barren metal of his friend? -The Merchant of Venice. Act i. Sc. read more

For when did friendship take A breed for barren metal of his friend? -The Merchant of Venice. Act i. Sc. 3.

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God made him, and therefore let him pass for a man. -The Merchant of Venice. Act i. Sc. 2.

God made him, and therefore let him pass for a man. -The Merchant of Venice. Act i. Sc. 2.

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