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'T is not for gravity to play at cherry-pit with Satan. -Twelfth Night. Act iii. Sc. 4.
'T is not for gravity to play at cherry-pit with Satan. -Twelfth Night. Act iii. Sc. 4.
Self-love, my liege, is not so vile a sin As self-neglecting. -King Henry V. Act ii. Sc. 4.
Self-love, my liege, is not so vile a sin As self-neglecting. -King Henry V. Act ii. Sc. 4.
Dictynna, goodman Dull. -Love's Labour 's Lost. Act iv. Sc. 2.
Dictynna, goodman Dull. -Love's Labour 's Lost. Act iv. Sc. 2.
A most unspotted lily shall she pass To the ground, and all the world shall mourn her. -King Henry VIII. read more
A most unspotted lily shall she pass To the ground, and all the world shall mourn her. -King Henry VIII. Act v. Sc. 5.
It is a familiar beast to man, and signifies love. -The Merry Wives of Windsor. Act i. Sc. 1.
It is a familiar beast to man, and signifies love. -The Merry Wives of Windsor. Act i. Sc. 1.
There 's small choice in rotten apples. -The Taming of the Shrew. Act i. Sc. 1.
There 's small choice in rotten apples. -The Taming of the Shrew. Act i. Sc. 1.
By my penny of observation. -Love's Labour 's Lost. Act iii. Sc. 1.
By my penny of observation. -Love's Labour 's Lost. Act iii. Sc. 1.
This figure that thou here seest put,
It was for gentle Shakespeare cut,
Wherein the graver had read more
This figure that thou here seest put,
It was for gentle Shakespeare cut,
Wherein the graver had a strife
With Nature, to outdo the life:
Oh, could he but have drawn his wit
As well in brass, as he has hit
His face, the print would then surpass
All that was ever writ in brass;
But since he cannot, reader, look
Not on his picture, but his book.
The iron tongue of midnight hath told twelve. -A Midsummer Night's Dream. Act v. Sc. 1.
The iron tongue of midnight hath told twelve. -A Midsummer Night's Dream. Act v. Sc. 1.
