Virtue is bold, and goodness never fearful. -Measure for Measure. Act iii. Sc. 1.

Virtue is bold, and goodness never fearful. -Measure for Measure. Act iii. Sc. 1.

Love thyself last: cherish those hearts that hate thee; Corruption wins not more than honesty. Still in thy right hand read more

Love thyself last: cherish those hearts that hate thee; Corruption wins not more than honesty. Still in thy right hand carry gentle peace, To silence envious tongues. Be just, and fear not: Let all the ends thou aim'st at be thy country's, Thy God's, and truth's; then if thou fall'st, O Cromwell, Thou fall'st a blessed martyr! -King Henry VIII. Act iii. Sc. 2.

Why, then the world 's mine oyster, Which I with sword will open. -The Merry Wives of Windsor. Act ii. read more

Why, then the world 's mine oyster, Which I with sword will open. -The Merry Wives of Windsor. Act ii. Sc. 2.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

Thou hast damnable iteration, and art indeed able to corrupt a saint. -King Henry IV. Part I. Act i. Sc. read more

Thou hast damnable iteration, and art indeed able to corrupt a saint. -King Henry IV. Part I. Act i. Sc. 2.

One touch of nature makes the whole world kin. -Troilus and Cressida. Act iii. Sc. 3.

One touch of nature makes the whole world kin. -Troilus and Cressida. Act iii. Sc. 3.

Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes: Nothing read more

Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes: Nothing of him that doth fade But doth suffer a sea-change Into something rich and strange. -The Tempest. Act i. Sc. 2.

This passion, and the death of a dear friend, would go near to make a man look sad. -A Midsummer read more

This passion, and the death of a dear friend, would go near to make a man look sad. -A Midsummer Night's Dream. Act v. Sc. 1.

The fringed curtains of thine eye advance. -The Tempest. Act i. Sc. 2.

The fringed curtains of thine eye advance. -The Tempest. Act i. Sc. 2.