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The human mortals. -A Midsummer Night's Dream. Act ii. Sc. 1.
The human mortals. -A Midsummer Night's Dream. Act ii. Sc. 1.
All the learned and authentic fellows. -All 's Well that Ends Well. Act ii. Sc. 3.
All the learned and authentic fellows. -All 's Well that Ends Well. Act ii. Sc. 3.
His cares are now all ended. -King Henry IV. Part II. Act v. Sc. 2.
His cares are now all ended. -King Henry IV. Part II. Act v. Sc. 2.
A Corinthian, a lad of mettle, a good boy. -King Henry IV. Part I. Act ii. Sc. 4.
A Corinthian, a lad of mettle, a good boy. -King Henry IV. Part I. Act ii. Sc. 4.
If there be no great love in the beginning, yet heaven may decrease it upon better acquaintance, when we are read more
If there be no great love in the beginning, yet heaven may decrease it upon better acquaintance, when we are married and have more occasion to know one another: I hope, upon familiarity will grow more contempt. -The Merry Wives of Windsor. Act i. Sc. 1.
The very staff of my age, my very prop. -The Merchant of Venice. Act ii. Sc. 2.
The very staff of my age, my very prop. -The Merchant of Venice. Act ii. Sc. 2.
This Booke
When Brasse and Marble fade, shall make thee looke
Fresh to all Ages.
This Booke
When Brasse and Marble fade, shall make thee looke
Fresh to all Ages.
The sense of death is most in apprehension; And the poor beetle, that we tread upon, In corporal sufferance finds read more
The sense of death is most in apprehension; And the poor beetle, that we tread upon, In corporal sufferance finds a pang as great As when a giant dies. -Measure for Measure. Act iii. Sc. 1.
The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for read more
The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. -The Merchant of Venice. Act. v. Sc. 1.
