A photograph is neither taken nor seized by force. It offers itself up. It is the photo that takes you. read more

A photograph is neither taken nor seized by force. It offers itself up. It is the photo that takes you. One must not take photos.

To manipulate an image is to control a people

To manipulate an image is to control a people

There are always two people in every picture: the photographer and the viewer.

There are always two people in every picture: the photographer and the viewer.

I always thought of photography as a naughty thing to do -- that was one of my favorite things about read more

I always thought of photography as a naughty thing to do -- that was one of my favorite things about it, and when I first did it, I felt very perverse.

There is only you and your camera. The limitations in your photography are in yourself, for what we see is read more

There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.

The charm, one might say the genius, of memory is that it is choosy, chancy and temperamental; it rejects the read more

The charm, one might say the genius, of memory is that it is choosy, chancy and temperamental; it rejects the edifying cathedral and indelibly photographs the small boy outside, chewing a hunk of melon in the dust.

I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject read more

I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.

In my mind's eye, I visualize how a particular . . . sight and feeling will appear on a print. read more

In my mind's eye, I visualize how a particular . . . sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.

The virtue of the camera is not the power it has to transform the photographer into an artist, but the read more

The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking.