As certain as the Correggiosity of Correggio.

As certain as the Correggiosity of Correggio.

I've been doing a lot of abstract painting lately, extremely abstract. No brush, no paint, no canvas, I just think read more

I've been doing a lot of abstract painting lately, extremely abstract. No brush, no paint, no canvas, I just think about it.

Are we to paint what's on the face, what's inside the face, or what's behind it?

Are we to paint what's on the face, what's inside the face, or what's behind it?

Painting with all its technicalities, difficulties, and peculiar
ends, is nothing but a noble and expressive language, invaluable
read more

Painting with all its technicalities, difficulties, and peculiar
ends, is nothing but a noble and expressive language, invaluable
as the vehicle of thought, but by itself nothing.

From the mingled strength of shade and light
A new creation rises to my sight,
Such heav'nly read more

From the mingled strength of shade and light
A new creation rises to my sight,
Such heav'nly figures from his pencil flow,
So warm with light his blended colors glow.
. . . .
The glowing portraits, fresh from life, that bring
Home to our hearts the truth from which they spring.

Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen

Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen

I paint objects as I think them, not as I see them.

I paint objects as I think them, not as I see them.

I experience a period of frightening clarity in those moments when nature is so beautiful. I am no longer sure read more

I experience a period of frightening clarity in those moments when nature is so beautiful. I am no longer sure of myself, and the paintings appear as in a dream

If it is the love of that which your work represents--if, being a
landscape painter, it is love of read more

If it is the love of that which your work represents--if, being a
landscape painter, it is love of hills and trees that moves
you--if, being a figure painter, it is love of human beauty, and
human soul that moves you--if, being a flower or animal painter,
it is love, and wonder, and delight in petal and in limb that
move you, then the Spirit is upon you, and the earth is yours,
and the fullness thereof.