Farce follow'd Comedy, and reach'd her prime.
In ever-laughing Foote's fantastic time;
Mad wag! who pardon'd none, read more

Farce follow'd Comedy, and reach'd her prime.
In ever-laughing Foote's fantastic time;
Mad wag! who pardon'd none, nor spared the best,
And turn'd some very serious things to jest.
Nor church nor state escaped his public sneers,
Arms nor the gown, priests, lawyers, volunteers;
"Alas, poor Yorick!" now forever mute!
Whoever loves a laugh must sigh for Foote.
We smile, perforce, when histrionic scenes
Ape the swoln dialogue of kings and queens,
When "Chrononhotonthelogos must die,"
And Arthur struts in mimic majesty.

A good actor must never be in love with anyone but himself.

A good actor must never be in love with anyone but himself.

And Tragedy should blush as much to stoop
To the low mimic follies of a farce,
As read more

And Tragedy should blush as much to stoop
To the low mimic follies of a farce,
As a grave matron would to dance with girls.

The play was a great success but the audience was a disaster.

The play was a great success but the audience was a disaster.

As good as a play.

As good as a play.

On the stage he was natural, simple, affecting
'Twas only that when he was off, he was acting.

On the stage he was natural, simple, affecting
'Twas only that when he was off, he was acting.

It's very hard! Oh, Dick, my boy,
It's very hard one can't enjoy
A little private spouting;
read more

It's very hard! Oh, Dick, my boy,
It's very hard one can't enjoy
A little private spouting;
But sure as Lear or Hamlet lives,
Up comes our master, Bounce! and gives
The tragic Muse a routing.

Acting is a question of absorbing other people's personalities and adding some of your own experience.

Acting is a question of absorbing other people's personalities and adding some of your own experience.

Prologues precede the piece in mournful verse,
As undertakers walk before the hearse.

Prologues precede the piece in mournful verse,
As undertakers walk before the hearse.