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    The sculptor produces the beautiful statue by chipping away such parts of the marble block as are not needed - it is a process of elimination.

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  18  /  22  

You know... that a blank wall is an apalling thing to look at. The wall of a museum - a read more

You know... that a blank wall is an apalling thing to look at. The wall of a museum - a canvas - a piece of film - or a guy sitting in front of a typewriter. Then, you start out to do something - that vague thing called creation. The beginning strikes awe within you.

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  10  /  19  

Art is permitted to survive only if it renounces the right to be different, and integrates itself into the omnipotent read more

Art is permitted to survive only if it renounces the right to be different, and integrates itself into the omnipotent realm of the profane.

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  13  /  27  

The studio, a room to which the artist consigns himself for life, is naturally important, not only as workplace, but read more

The studio, a room to which the artist consigns himself for life, is naturally important, not only as workplace, but as a source of inspiration. And it usually manages, one way or another, to turn up in his product.

by Grace Glueck Found in: Art and artists Quotes,
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Giving jazz the Congressional seal of approval is a little like making Huck Finn an honorary Boy Scout.

Giving jazz the Congressional seal of approval is a little like making Huck Finn an honorary Boy Scout.

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The artist should be a seeing-eye dog for a myopic civilization.

The artist should be a seeing-eye dog for a myopic civilization.

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There is nothing worse than a sharp image of a fuzzy concept.

There is nothing worse than a sharp image of a fuzzy concept.

by Ansel Adams Found in: Art and artists Quotes,
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  9  /  17  

Anyone who contributes to the defense fund
of pornographers is a mental moonbeam.

Anyone who contributes to the defense fund
of pornographers is a mental moonbeam.

by Mike Royko Found in: Art and artists Quotes,
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Painting, n.: The art of protecting flat surfaces from the weather, and exposing them to the critic.

Painting, n.: The art of protecting flat surfaces from the weather, and exposing them to the critic.

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  23  /  21  

Give me a museum and I'll fill it.

Give me a museum and I'll fill it.

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