Art need no longer be an account of past sensations. It can become the direct organization of more highly evolved read more

Art need no longer be an account of past sensations. It can become the direct organization of more highly evolved sensations. It is a question of producing ourselves, not things that enslave us.

The arts are not just instantaneous pleasure -- if you don't like it, the artist is wrong. I belong to read more

The arts are not just instantaneous pleasure -- if you don't like it, the artist is wrong. I belong to the generation which says if you don't like it, you don't understand and you ought to find out.

That is what the title of artist means: one who perceives more than his fellows, and who records more than read more

That is what the title of artist means: one who perceives more than his fellows, and who records more than he has seen.

Art is permitted to survive only if it renounces the right to be different, and integrates itself into the omnipotent read more

Art is permitted to survive only if it renounces the right to be different, and integrates itself into the omnipotent realm of the profane.

Every child is an artist. The problem is how to remain an artist once we grow up.

Every child is an artist. The problem is how to remain an artist once we grow up.

I have been no more than a medium, as it were.

I have been no more than a medium, as it were.

The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from read more

The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.

From the shore.. one looks
upward to the sanddune grass..
10,000
green brushes attempting
where they laid
to paint read more

From the shore.. one looks
upward to the sanddune grass..
10,000
green brushes attempting
where they laid
to paint the blue sky
jade.

Twentieth-century art may start with nothing, but it flourishes by virtue of its belief in itself, in the possibility of read more

Twentieth-century art may start with nothing, but it flourishes by virtue of its belief in itself, in the possibility of control over what seems essentially uncontrollable, in the coherence of the inchoate, and in its ability to create its own values.