[After working constantly in the 1980s, Armstrong tried his hand at screenwriting in the 1990s. With writing partner John Doolittle, he sold several scripts but none ended up on the screen.] It occurred to me after a while -- I didn't understand why I was setting myself up for two careers where I was going to be rejected, ... You can do it all right with one, but come on.
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It is a tremendous honor and a great responsibility to follow in Tim Taylor's footsteps as head hockey coach at read more
It is a tremendous honor and a great responsibility to follow in Tim Taylor's footsteps as head hockey coach at Yale. His impact on Yale, Yale Hockey, and me personally has been profound. I enthusiastically embrace the challenge of building upon his legacy while taking the Yale Hockey program to the next level.
… We want you to know that we recognize your hard work and compassion on behalf of the children and read more
… We want you to know that we recognize your hard work and compassion on behalf of the children and the families you have affected. We commend your commitment, determination and professional expertise.
Our insignificance is often the cause of our safety.
Our insignificance is often the cause of our safety.
Everything else has gone OK, but the salaries are the sticking point.
Everything else has gone OK, but the salaries are the sticking point.
There's a little gray house in a one-street town, And the door stands open, and the steps go down, And read more
There's a little gray house in a one-street town, And the door stands open, and the steps go down, And you prop up the window with a stick on the sill, And you carry spring water from the bottom of the hill; And the white star of Bethlehem grows in t
If she's playing like she was today, she can be a one man team. When you give any team three read more
If she's playing like she was today, she can be a one man team. When you give any team three or four chances after shots like we were giving them, they are going to hit those shots.
If you look at the Museum of Modern Art's permanent collection now, it doesn't tell the story of what was read more
If you look at the Museum of Modern Art's permanent collection now, it doesn't tell the story of what was happening during the '30s and '40s. While Myron prefers the representational, I think you can see he likes artists who pushed realism as close to abstraction as possible.
He had a really good save off a direct kick. They bent the ball around a (defensive) wall and he read more
He had a really good save off a direct kick. They bent the ball around a (defensive) wall and he made a diving save into the corner.
Always, your work is the same: You have to tell a story, you have to make a character. It doesn't read more
Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.
