The hand that rounded Peter's dome
And groined the aisles of Christian Rome,
Wrought in a sad read more

The hand that rounded Peter's dome
And groined the aisles of Christian Rome,
Wrought in a sad sincerity;
Himself from God he could not free;
He builded better than he knew;
The conscious stone to beauty grew.

The stone which the builders refused is become the head stone of
the corner.

The stone which the builders refused is become the head stone of
the corner.

No hammers fell, no ponderous axes rung,
Like some tall palm the mystic fabric sprung.
Majestic silence.

No hammers fell, no ponderous axes rung,
Like some tall palm the mystic fabric sprung.
Majestic silence.

Rich windows that exclude the light,
And passages that lead to nothing.

Rich windows that exclude the light,
And passages that lead to nothing.

Earth proudly wears the Parthenon
As best gem upon her zone.

Earth proudly wears the Parthenon
As best gem upon her zone.

When I lately stood with a friend before [the cathedral of]
Amiens, . . . he asked me how read more

When I lately stood with a friend before [the cathedral of]
Amiens, . . . he asked me how it happens that we can no longer
build such piles? I replied: "Dear Alphonse, men in those days
had convictions (Ueberzeugungen), we moderns have opinions
(Meinungen) and it requires something more than an opinion to
build a Gothic cathedral.

There will never be great architects or great architecture
without great patrons.

There will never be great architects or great architecture
without great patrons.

The architect
Built his great heart into these sculptured stones,
And with him toiled his children, and read more

The architect
Built his great heart into these sculptured stones,
And with him toiled his children, and their lives
Were builded, with his own, into the walls,
As offerings unto God.

Grandeur . . . consists in form, and not in size: and to the eye
of the philosopher, the read more

Grandeur . . . consists in form, and not in size: and to the eye
of the philosopher, the curve drawn on a paper two inches long,
is just as magnificent, just as symbolic of divine mysteries and
melodies, as when embodied in the span of some cathedral roof.