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    'T is better to be lowly born, And range with humble livers in content, Than to be perked up in a glistering grief, And wear a golden sorrow. -King Henry VIII. Act ii. Sc. 3.

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  3  /  14  

No man's pie is freed From his ambitious finger. -King Henry VIII. Act i. Sc. 1.

No man's pie is freed From his ambitious finger. -King Henry VIII. Act i. Sc. 1.

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  8  /  24  

Deeper than e'er plummet sounded. -The Tempest. Act iii. Sc. 3.

Deeper than e'er plummet sounded. -The Tempest. Act iii. Sc. 3.

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  8  /  18  

A child of our grandmother Eve, a female; or, for thy more sweet understanding, a woman. -Love's Labour 's Lost. read more

A child of our grandmother Eve, a female; or, for thy more sweet understanding, a woman. -Love's Labour 's Lost. Act i. Sc. 1.

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  16  /  11  

O father Abram! what these Christians are, Whose own hard dealings teaches them suspect The thoughts of others! -The Merchant read more

O father Abram! what these Christians are, Whose own hard dealings teaches them suspect The thoughts of others! -The Merchant of Venice. Act i. Sc. 3.

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  12  /  9  

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

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A deal of skimble-skamble stuff. -King Henry IV. Part I. Act iii. Sc. 1.

A deal of skimble-skamble stuff. -King Henry IV. Part I. Act iii. Sc. 1.

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  6  /  7  

No more of that, Hal, an thou lovest me! -King Henry IV. Part I. Act ii. Sc. 4.

No more of that, Hal, an thou lovest me! -King Henry IV. Part I. Act ii. Sc. 4.

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Look in the chronicles; we came in with Richard Conqueror. -The Taming of the Shrew. Induc. Sc. 1.

Look in the chronicles; we came in with Richard Conqueror. -The Taming of the Shrew. Induc. Sc. 1.

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I 'll speak in a monstrous little voice. -A Midsummer Night's Dream. Act i. Sc. 2.

I 'll speak in a monstrous little voice. -A Midsummer Night's Dream. Act i. Sc. 2.

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