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Rich honesty dwells like a miser, sir, in a poor house; as your pearl in your foul oyster. -As You read more

Rich honesty dwells like a miser, sir, in a poor house; as your pearl in your foul oyster. -As You Like It. Act v. Sc. 4.

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The fashion wears out more apparel than the man. -Much Ado about Nothing. Act iii. Sc. 3.

The fashion wears out more apparel than the man. -Much Ado about Nothing. Act iii. Sc. 3.

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  8  /  9  

The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for read more

The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. -The Merchant of Venice. Act. v. Sc. 1.

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It was alway yet the trick of our English nation, if they have a good thing to make it too read more

It was alway yet the trick of our English nation, if they have a good thing to make it too common. -King Henry IV. Part II. Act i. Sc. 2.

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  7  /  8  

What! wouldst thou have a serpent sting thee twice? -The Merchant of Venice. Act iv. Sc. 1.

What! wouldst thou have a serpent sting thee twice? -The Merchant of Venice. Act iv. Sc. 1.

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Life is as tedious as a twice-told tale Vexing the dull ear of a drowsy man. -King John. Act iii. read more

Life is as tedious as a twice-told tale Vexing the dull ear of a drowsy man. -King John. Act iii. Sc. 4.

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Hear you this Triton of the minnows? Mark you His absolute shall? -Coriolanus. Act iii. Sc. 1.

Hear you this Triton of the minnows? Mark you His absolute shall? -Coriolanus. Act iii. Sc. 1.

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The gaudy, blabbing, and remorseful day Is crept into the bosom of the sea. -King Henry VI. Part II. Act read more

The gaudy, blabbing, and remorseful day Is crept into the bosom of the sea. -King Henry VI. Part II. Act iv. Sc. 1.

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I was not born under a rhyming planet. -Much Ado about Nothing. Act v. Sc. 2.

I was not born under a rhyming planet. -Much Ado about Nothing. Act v. Sc. 2.

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