He is of a very melancholy disposition. -Much Ado about Nothing. Act i. Sc. 1.

He is of a very melancholy disposition. -Much Ado about Nothing. Act i. Sc. 1.

The why is plain as way to parish church. -As You Like It. Act ii. Sc. 7.

The why is plain as way to parish church. -As You Like It. Act ii. Sc. 7.

Thou hast most traitorously corrupted the youth of the realm in erecting a grammar-school; and whereas, before, our forefathers had read more

Thou hast most traitorously corrupted the youth of the realm in erecting a grammar-school; and whereas, before, our forefathers had no other books but the score and the tally, thou hast caused printing to be used, and, contrary to the king, his crown and dignity, thou hast built a paper-mill. -King Henry VI. Part II. Act iv. Sc. 7.

Halloo your name to the reverberate hills, And make the babbling gossip of the air Cry out. -Twelfth Night. Act read more

Halloo your name to the reverberate hills, And make the babbling gossip of the air Cry out. -Twelfth Night. Act i. Sc. 5.

Palsied eld. -Measure for Measure. Act iii. Sc. 1.

Palsied eld. -Measure for Measure. Act iii. Sc. 1.

For never anything can be amiss, When simpleness and duty tender it. -A Midsummer Night's Dream. Act v. Sc. 1.

For never anything can be amiss, When simpleness and duty tender it. -A Midsummer Night's Dream. Act v. Sc. 1.

That would hang us, every mother's son. -A Midsummer Night's Dream. Act i. Sc. 2.

That would hang us, every mother's son. -A Midsummer Night's Dream. Act i. Sc. 2.

The human mortals. -A Midsummer Night's Dream. Act ii. Sc. 1.

The human mortals. -A Midsummer Night's Dream. Act ii. Sc. 1.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.