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What, my dear Lady Disdain! are you yet living? -Much Ado about Nothing. Act i. Sc. 1.
What, my dear Lady Disdain! are you yet living? -Much Ado about Nothing. Act i. Sc. 1.
The brain may devise laws for the blood, but a hot temper leaps o'er a cold decree. -The Merchant of read more
The brain may devise laws for the blood, but a hot temper leaps o'er a cold decree. -The Merchant of Venice. Act i. Sc. 2.
The king's name is a tower of strength. -King Richard III. Act v. Sc. 3.
The king's name is a tower of strength. -King Richard III. Act v. Sc. 3.
The villany you teach me I will execute, and it shall go hard, but I will better the instruction. -The read more
The villany you teach me I will execute, and it shall go hard, but I will better the instruction. -The Merchant of Venice. Act iii. Sc. 1.
Bless thee, Bottom! bless thee! thou art translated. -A Midsummer Night's Dream. Act iii. Sc. 1.
Bless thee, Bottom! bless thee! thou art translated. -A Midsummer Night's Dream. Act iii. Sc. 1.
That man that hath a tongue, I say, is no man, If with his tongue he cannot win a woman. read more
That man that hath a tongue, I say, is no man, If with his tongue he cannot win a woman. -The Two Gentleman of Verona. Act iii. Sc. 1.
Exceedingly well read. -King Henry IV. Part I. Act iii. Sc. 1.
Exceedingly well read. -King Henry IV. Part I. Act iii. Sc. 1.
Whose words all ears took captive. -All 's Well that Ends Well. Act v. Sc. 3.
Whose words all ears took captive. -All 's Well that Ends Well. Act v. Sc. 3.
All the world 's a stage, And all the men and women merely players. They have their exits and their read more
All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.