I have touched the highest point of all my greatness; And from that full meridian of my glory I haste read more

I have touched the highest point of all my greatness; And from that full meridian of my glory I haste now to my setting: I shall fall Like a bright exhalation in the evening, And no man see me more. -King Henry VIII. Act iii. Sc. 2.

The gentleman is not in your books. -Much Ado about Nothing. Act i. Sc. 1.

The gentleman is not in your books. -Much Ado about Nothing. Act i. Sc. 1.

I was now a coward on instinct. -King Henry IV. Part I. Act ii. Sc. 4.

I was now a coward on instinct. -King Henry IV. Part I. Act ii. Sc. 4.

Look in the chronicles; we came in with Richard Conqueror. -The Taming of the Shrew. Induc. Sc. 1.

Look in the chronicles; we came in with Richard Conqueror. -The Taming of the Shrew. Induc. Sc. 1.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

Men Can counsel and speak comfort to that grief Which they themselves not feel. -Much Ado about Nothing. Act v. read more

Men Can counsel and speak comfort to that grief Which they themselves not feel. -Much Ado about Nothing. Act v. Sc. 1.

I have no other but a woman's reason: I think him so, because I think him so. -The Two Gentleman read more

I have no other but a woman's reason: I think him so, because I think him so. -The Two Gentleman of Verona. Act i. Sc. 2.

This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, read more

This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall Or as a moat defensive to a house, Against the envy of less happier lands,— This blessed plot, this earth, this realm, this England. -King Richard II. Act ii. Sc. 1.

Comes at the last, and with a little pin Bores through his castle wall—and farewell king! -King Richard II. Act read more

Comes at the last, and with a little pin Bores through his castle wall—and farewell king! -King Richard II. Act iii. Sc. 2.