I dote on his very absence. -The Merchant of Venice. Act i. Sc. 2.

I dote on his very absence. -The Merchant of Venice. Act i. Sc. 2.

Sits the wind in that corner? -Much Ado about Nothing. Act ii. Sc. 3.

Sits the wind in that corner? -Much Ado about Nothing. Act ii. Sc. 3.

The rational hind Costard. -Love's Labour 's Lost. Act i. Sc. 2.

The rational hind Costard. -Love's Labour 's Lost. Act i. Sc. 2.

O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon! daffodils, That come before the swallow read more

O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon! daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phœbus in his strength,—a malady Most incident to maids; bold oxlips and The crown imperial; lilies of all kinds, The flower-de-luce being one. -The Winter's Tale. Act iv. Sc. 4.

Another lean unwashed artificer. -King John. Act iv. Sc. 2.

Another lean unwashed artificer. -King John. Act iv. Sc. 2.

My lungs began to crow like chanticleer, That fools should be so deep-contemplative; And I did laugh sans intermission An read more

My lungs began to crow like chanticleer, That fools should be so deep-contemplative; And I did laugh sans intermission An hour by his dial. -As You Like It. Act ii. Sc. 7.

Now would I give a thousand furlongs of sea for an acre of barren ground. -The Tempest. Act i. Sc. read more

Now would I give a thousand furlongs of sea for an acre of barren ground. -The Tempest. Act i. Sc. 1.

Anger is like A full-hot horse, who being allow'd his way, Self-mettle tires him. -King Henry VIII. Act i. Sc. read more

Anger is like A full-hot horse, who being allow'd his way, Self-mettle tires him. -King Henry VIII. Act i. Sc. 1.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.