The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for read more

The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. -The Merchant of Venice. Act. v. Sc. 1.

When Fortune means to men most good, She looks upon them with a threatening eye. -King John. Act iii. Sc. read more

When Fortune means to men most good, She looks upon them with a threatening eye. -King John. Act iii. Sc. 4.

I, thus neglecting worldly ends, all dedicated To closeness and the bettering of my mind. -The Tempest. Act i. Sc. read more

I, thus neglecting worldly ends, all dedicated To closeness and the bettering of my mind. -The Tempest. Act i. Sc. 2.

Now would I give a thousand furlongs of sea for an acre of barren ground. -The Tempest. Act i. Sc. read more

Now would I give a thousand furlongs of sea for an acre of barren ground. -The Tempest. Act i. Sc. 1.

A buck of the first head. -Love's Labour 's Lost. Act iv. Sc. 2.

A buck of the first head. -Love's Labour 's Lost. Act iv. Sc. 2.

This is the short and the long of it. -The Merry Wives of Windsor. Act ii. Sc. 2.

This is the short and the long of it. -The Merry Wives of Windsor. Act ii. Sc. 2.

Nothing comes amiss; so money comes withal. -The Taming of the Shrew. Act i. Sc. 2.

Nothing comes amiss; so money comes withal. -The Taming of the Shrew. Act i. Sc. 2.

The words of Mercury are harsh after the songs of Apollo. -Love's Labour 's Lost. Act v. Sc. 2.

The words of Mercury are harsh after the songs of Apollo. -Love's Labour 's Lost. Act v. Sc. 2.

Exceedingly well read. -King Henry IV. Part I. Act iii. Sc. 1.

Exceedingly well read. -King Henry IV. Part I. Act iii. Sc. 1.