Condemned into everlasting redemption. -Much Ado about Nothing. Act iv. Sc. 2.

Condemned into everlasting redemption. -Much Ado about Nothing. Act iv. Sc. 2.

Whose words all ears took captive. -All 's Well that Ends Well. Act v. Sc. 3.

Whose words all ears took captive. -All 's Well that Ends Well. Act v. Sc. 3.

If we wish to know the force of human genius we should read
Shakespeare. If we wish to see read more

If we wish to know the force of human genius we should read
Shakespeare. If we wish to see the insignificance of human
learning we may study his commentators.

Modest doubt is call'd The beacon of the wise, the tent that searches To the bottom of the worst. -Troilus read more

Modest doubt is call'd The beacon of the wise, the tent that searches To the bottom of the worst. -Troilus and Cressida. Act ii. Sc. 2.

A second Daniel, a Daniel, Jew! Now, infidel, I have you on the hip. -The Merchant of Venice. Act iv. read more

A second Daniel, a Daniel, Jew! Now, infidel, I have you on the hip. -The Merchant of Venice. Act iv. Sc. 1.

These are begot in the ventricle of memory, nourished in the womb of pia mater, and delivered upon the mellowing read more

These are begot in the ventricle of memory, nourished in the womb of pia mater, and delivered upon the mellowing of occasion. -Love's Labour 's Lost. Act iv. Sc. 2.

My lungs began to crow like chanticleer, That fools should be so deep-contemplative; And I did laugh sans intermission An read more

My lungs began to crow like chanticleer, That fools should be so deep-contemplative; And I did laugh sans intermission An hour by his dial. -As You Like It. Act ii. Sc. 7.

Let 's talk of graves, of worms, and epitaphs. -King Richard II. Act iii. Sc. 2.

Let 's talk of graves, of worms, and epitaphs. -King Richard II. Act iii. Sc. 2.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.