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This is very midsummer madness. -Twelfth Night. Act iii. Sc. 4.
This is very midsummer madness. -Twelfth Night. Act iii. Sc. 4.
A woman moved is like a fountain troubled,— Muddy, ill-seeming, thick, bereft of beauty. -The Taming of the Shrew. Act read more
A woman moved is like a fountain troubled,— Muddy, ill-seeming, thick, bereft of beauty. -The Taming of the Shrew. Act v. Sc. 2.
A high hope for a low heaven. -Love's Labour 's Lost. Act i. Sc. 1.
A high hope for a low heaven. -Love's Labour 's Lost. Act i. Sc. 1.
He dies, and makes no sign. -King Henry VI. Part II. Act iii. Sc. 3.
He dies, and makes no sign. -King Henry VI. Part II. Act iii. Sc. 3.
All impediments in fancy's course Are motives of more fancy. -All 's Well that Ends Well. Act v. Sc. 3.
All impediments in fancy's course Are motives of more fancy. -All 's Well that Ends Well. Act v. Sc. 3.
Happy man be his dole! -The Merry Wives of Windsor. Act iii. Sc. 4.
Happy man be his dole! -The Merry Wives of Windsor. Act iii. Sc. 4.
The pleasing punishment that women bear. -The Comedy of Errors. Act i. Sc. 1.
The pleasing punishment that women bear. -The Comedy of Errors. Act i. Sc. 1.
Come unto these yellow sands, And then take hands: Courtsied when you have, and kiss'd The wild waves whist. -The read more
Come unto these yellow sands, And then take hands: Courtsied when you have, and kiss'd The wild waves whist. -The Tempest. Act i. Sc. 2.
A jest's prosperity lies in the ear Of him that hears it, never in the tongue Of him that makes read more
A jest's prosperity lies in the ear Of him that hears it, never in the tongue Of him that makes it. -Love's Labour 's Lost. Act v. Sc. 2.
