There is only you and your camera. The limitations in your photography are in yourself, for what we see is read more

There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.

A photograph is neither taken nor seized by force. It offers itself up. It is the photo that takes you. read more

A photograph is neither taken nor seized by force. It offers itself up. It is the photo that takes you. One must not take photos.

Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever... it read more

Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever... it remembers little things, long after you have forgotten everything.

When photography was invented it was thought to be an equivalent to truth, it was truth with a capital "T".

When photography was invented it was thought to be an equivalent to truth, it was truth with a capital "T".

It takes a lot of imagination to be a good photographer. You need less imagination to be a painter, because read more

It takes a lot of imagination to be a good photographer. You need less imagination to be a painter, because you can invent things. But in photography everything is so ordinary; it takes a lot of looking before you learn to see the ordinary.

Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but read more

Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.

Many pictures turn out to be limp translations of the known world instead of vital objects which create an intrinsic read more

Many pictures turn out to be limp translations of the known world instead of vital objects which create an intrinsic world of their own. There is a vast difference between taking a picture and making a photograph.

The charm, one might say the genius, of memory is that it is choosy, chancy and temperamental; it rejects the read more

The charm, one might say the genius, of memory is that it is choosy, chancy and temperamental; it rejects the edifying cathedral and indelibly photographs the small boy outside, chewing a hunk of melon in the dust.

There are always two people in every picture: the photographer and the viewer.

There are always two people in every picture: the photographer and the viewer.