To manipulate an image is to control a people

To manipulate an image is to control a people

The charm, one might say the genius, of memory is that it is choosy, chancy and temperamental; it rejects the read more

The charm, one might say the genius, of memory is that it is choosy, chancy and temperamental; it rejects the edifying cathedral and indelibly photographs the small boy outside, chewing a hunk of melon in the dust.

I love the medium of photography, for with its unique realism it gives me the power to go beyond conventional read more

I love the medium of photography, for with its unique realism it gives me the power to go beyond conventional ways of seeing and understanding and say, "This is real, too."

If photography were difficult in the true sense . . . that the creation of a simple photograph would entail read more

If photography were difficult in the true sense . . . that the creation of a simple photograph would entail as much time and effort as the production of a good watercolor or etching -- there would be a vast improvement in total output.

There are always two people in every picture: the photographer and the viewer.

There are always two people in every picture: the photographer and the viewer.

If the man who paints only the tree, or flower, or other surface he sees before him were an artist, read more

If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this.

It is one thing to photograph people. It is another to make others care about them by revealing the core read more

It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.

Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but read more

Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.

The virtue of the camera is not the power it has to transform the photographer into an artist, but the read more

The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking.