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In my mind's eye, I visualize how a particular . . . sight and feeling will appear on a print. read more
In my mind's eye, I visualize how a particular . . . sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.
I always thought of photography as a naughty thing to do -- that was one of my favorite things about read more
I always thought of photography as a naughty thing to do -- that was one of my favorite things about it, and when I first did it, I felt very perverse.
When photography was invented it was thought to be an equivalent to truth, it was truth with a capital "T".
When photography was invented it was thought to be an equivalent to truth, it was truth with a capital "T".
If photography were difficult in the true sense . . . that the creation of a simple photograph would entail read more
If photography were difficult in the true sense . . . that the creation of a simple photograph would entail as much time and effort as the production of a good watercolor or etching -- there would be a vast improvement in total output.
If the man who paints only the tree, or flower, or other surface he sees before him were an artist, read more
If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this.
I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject read more
I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.
I take photographs with love, so I try to make them art objects. But I make them for myself first read more
I take photographs with love, so I try to make them art objects. But I make them for myself first and foremost - that is important.
There are always two people in every picture: the photographer and the viewer.
There are always two people in every picture: the photographer and the viewer.
