Sweet bird, that sing'st away the early hours,
Of winter's past or coming void of care,
Well read more

Sweet bird, that sing'st away the early hours,
Of winter's past or coming void of care,
Well pleased with delights which present are,
Fair seasons, budding sprays, sweet-smelling flowers.

To the red rising moon, and loud and deep
The nightingale is singing from the steep.

To the red rising moon, and loud and deep
The nightingale is singing from the steep.

'Tis the merry nightingale
That crowds, and hurries, and precipitates
With fast thick warble his delicious notes,
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'Tis the merry nightingale
That crowds, and hurries, and precipitates
With fast thick warble his delicious notes,
As he were fearful that an April night
Would be too short for him to utter forth
His love-chant, and disburthen his full soul
Of all its music!

Sweet bird that shunn'st the nose of folly,
Most musical, most melancholy!
Thee, chauntress, oft, the woods read more

Sweet bird that shunn'st the nose of folly,
Most musical, most melancholy!
Thee, chauntress, oft, the woods among,
I woo, to hear thy even-song.

"Most musical, most melancholy" bird!
A melancholy bird! Oh! idle thought!
In nature there is nothing melancholy.

"Most musical, most melancholy" bird!
A melancholy bird! Oh! idle thought!
In nature there is nothing melancholy.

What bird so sings, yet does so wail?
O, 'tis the ravish'd nightingale--
Jug, jug, jug, jug--tereu, read more

What bird so sings, yet does so wail?
O, 'tis the ravish'd nightingale--
Jug, jug, jug, jug--tereu, she cries,
And still her woes at midnight rise.

The nightingale appear'd the first,
And as her melody she sang,
The apple into blossom burst,
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The nightingale appear'd the first,
And as her melody she sang,
The apple into blossom burst,
To life the grass and violets sprang.

Soft as Memnon's harp at morning,
To the inward ear devout,
Touched by light, with heavenly warning
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Soft as Memnon's harp at morning,
To the inward ear devout,
Touched by light, with heavenly warning
Your transporting chords ring out.
Every leaf in every nook,
Every wave in every brook,
Chanting with a solemn voice
Minds us of our better choice.

Hark! ah, the nightingale--
The tawny-throated!
Hark from that moonlit cedar what a burst!
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Hark! ah, the nightingale--
The tawny-throated!
Hark from that moonlit cedar what a burst!
What triumph! hark!--what pain!
. . . .
Again--thou hearest?
Eternal passion!
Eternal pain!