It was a shock to us to see these.

It was a shock to us to see these.

We love to do this sort of thing. It gives us an opportunity to train in a more realistic environment.

We love to do this sort of thing. It gives us an opportunity to train in a more realistic environment.

The two other parts [Moore] played from the '50s are so different from Evelyn Ryan. The character she played in read more

The two other parts [Moore] played from the '50s are so different from Evelyn Ryan. The character she played in The Hours was a woman who fled the oppression of her home. Evelyn Ryan stayed. She chose to brave it out, because she was determined to make sure every one of those 10 kids of hers made it out of that house intact. It's heroic.

Democracy is when the indigent, and not the men of property, are the rulers.

Democracy is when the indigent, and not the men of property, are the rulers.

One of the advantages to the new plant was that we've promoted people and moved them down there for positions. read more

One of the advantages to the new plant was that we've promoted people and moved them down there for positions. We provided them opportunities down there, and in the meantime, opened up sale territories for people in this area. More employment to local area was created as a result of promoting people here to the southern plant.

We are coming down from our pedestal and up from the laundry room

We are coming down from our pedestal and up from the laundry room

It is so critical that on every level, every individual becomes prepared.

It is so critical that on every level, every individual becomes prepared.

We needed a solution that would get all the right information to the drivers as quickly and as cost-effectively as read more

We needed a solution that would get all the right information to the drivers as quickly and as cost-effectively as possible.

[After working constantly in the 1980s, Armstrong tried his hand at screenwriting in the 1990s. With writing partner John Doolittle, read more

[After working constantly in the 1980s, Armstrong tried his hand at screenwriting in the 1990s. With writing partner John Doolittle, he sold several scripts but none ended up on the screen.] It occurred to me after a while -- I didn't understand why I was setting myself up for two careers where I was going to be rejected, ... You can do it all right with one, but come on.